PHASE 1
1 - 30 AUGUST 2021
"I found a round oval-shaped piece of wood, left-over from the many wooden sculptures that I’d made. I saw a face on it, gazing at me and carved it out." - Tengku Sabri Ibrahim
01A
Head/Kepala
Tengku Sabri Ibrahim
Guava wood and Chengal wood
9 x 9 x 8 cm
1992
RM 3,500 / Available
I wanted to sculpt an upright column and needed to make a model for reference. There was no suitable straight piece, only a crooked small piece. I carved the surface to enhance its existence." - Tengku Sabri Ibrahim
01B
Crooked Column/Tiang Bengkok
Tengku Sabri Ibrahim
Angsana wood sena
6.5 x 5 x 10 cm
1990
RM 3,500 / Reserved
02
Devotee, Sri Mariamman Temple, JB
Ahmad Zaki Anwar
Charcoal on paper
53 x 38 cm
2021
RM 5,000 / Reserved
03
By 2Todak from “Covenant”
Sharmiza Abu Hassan
Laser cut aluminum and patinated effect
62 x 28 cm
2019
RM 1,000 / Reserved
Palang Merah & Bulan Sabit Series
04A
Transmit #9
Bayu Utomo Radjikin
Acrylic on Canvas
60 x 50 cm
2020
RM3,800 / Available
Palang Merah & Bulan Sabit Series
04B
Cluster #7
Bayu Utomo Radjikin
Acrylic on Canvas
60 x 50 cm
2020
RM3,800 / Available
05
The King that Can’t Fight
Hamir Soib
Bitumen and acrylic on canvas
36 x 36 cm
2021
RM 5,000 / Reserved
"Karya ini mengenengahkan semut sebagai subjek utama di mana ianya bukan sahaja rajin, gigih dan bekerjasama tetapi ianya jugak lasak dan sukar dimusnahkan. Garfu yang disusun dandikimpal menjadikan seekor semut bergitu sinonim kerana sifatnya yang sen'asa berusaha untuk mencari sumber makanan untuk dikongsi bersama. ‘Unbreakable II’ merupakan solidari' dengan menampilkan seekor semut di mana ianya sen'asa berjalan untuk mencari sumber makanan dan koloni semut akan terus bekerja untuk mengumpul makanan sehingga sarangnya penuh. Karya ‘Unbreakable II’ adalah bersifat imagina've dan semi-abstrak. Garfu-garfu yang disusun dan dikimpalmenjadikan seekor semut melibatkan proses rekaan dan penghasilan seni krea'f. Karya ini juga berasaskan deformasi kerana susunan dan pengulangan garfu yang dilaksanakan dengan sengaja untuk kepen'ngan seni serta mengetengahkan bentuk semut yang dinamik." - Liu Cheng Hua
06
Unbreakable II
Liu Cheng Hua
Forks
46 x 23 x 41 cm
2021
RM 1,600 / Reserved
07
Pukul Curi
Samsudin Wahab
Oil and on canvas
31 x 31 cm 2021
2021
RM 1,700 / Reserved
08
Bukit Cahaya
Faizal Suhif
Monotype, acrylic and oil on canvas
122 x 152 cm
2020
RM 5,000 / Reserved
09
Stripped and Striped II
Chan Kok Hooi
Acrylic on wooden stretcher, wooden frame
30 x 30 cm
2021
RM 3,000 / Reserved
10
Bias # Masa
Hamdan Shaarani
Acrylic on canvas
91 x 91 cm
2020
RM 5,000 / Available
"I love the rebelliousness of snail mail, and I love anything that can arrive with a postage stamp. There's something about that person's breath and hands on the letter." - Hirzaq Haris
11 A
3C
Hirzaq Harris
Acrylic and bitumen on canvas
49 x 56 cm
2021
RM 1,800 / Reserved
11 B
5C
Hirzaq Harris
Acrylic and bitumen on canvas
49 x 56 cm
2021
RM 1,800 / Reserved
"Secara literalnya, seorang gadis yang berada di central memegang payung yang menjadi pelindung baginya. Gadis itu hidup bersama lambakkan produk-produk luar yang berkuasa dari segi penjenamaan di pasaran tempatan, seolah-olah di ‘bom’ saban hari melalui media massa. Kecanduan gadis dan rakan sebaya (remaja) semakin marak oleh kerana kekuatan penjenamaan dan betapa sofistikatednya mereka apabila lagak meng-kosumsi produk-produk import seperti itu menambahkan lagi betapa mereka lebih kekinian dari yang lain.." - Farid Raihan
12
Timing-Bomb (Bomb Jangka)
Farid Raihan
Acrylic, charcoal, and collage on paper
51 x 101 cm (including the frame)
2008
RM 500 / Reserved
"Country Musik: Movements' is a series of 20 collagraphs created during Covid-19 lockdown in 2020. The compositions are based on a 2019 installation and participatory project 'In The Skin of A Tiger: Monument To What We Want (Tugu Kita)', consisting of 13 banners in geometric shapes sewn from reclaimed election campaign flags. Together, the 20 compositions are a kind of music that reflects the massive shifts of 2020 – from the Covid pandemic to the fall of the Pakatan Harapan government in March, just before the nation went into its first lockdown" - Sharon Chin
13 A
Country Musik: Movements #5
Sharon Chin
Collagraph on saa (Thai Mulberry) paper 120gsm
19 x 28 cm
2020
Edition 2/3
RM 500 / Reserved
13 B
Country Musik: Movements #7
Sharon Chin
Collagraph on saa (Thai Mulberry) paper 120gsm
19 x 28 cm
2020
Edition 2/3
RM 500 / Reserved
"My research is on the evolution of forms in nature and in human culture from different areas and environments on earth. I use sculpture to explore and enjoy life. While living in Malaysia, I made these sculptures as a part of my exploration of the jungle and the huge variety of natural forms, these sculptures were exhibited at my solo exhibition “Lines” at Chandan Gallery 2017 as a part of a Barehands art residency in KL" - Anees Maani
14A
Untitled I
Anees Maani
Wood
85 x 67 x 30 cm
2017
RM5,000 / Available
14B
Untitled II
Anees Maani
Wood
105 x 16 x 20 cm
2017
RM5,000 / Available
"The kabuki show frog embraces the ever changing roles to set himself as a protagonist in the drama or tragedy of life. He adapts very well to the new scripts and dialogues prepared for him to perform his best. He blends and learns well from the harsh environment around him, he is resilient and focused. His best well-kept secret to survival in the struggle of life is his amphibious nature. The King still remains even without a costume." - Stephen Menon
15
Kabuki Frog
Stephen Menon
Screenprint, oil on paper
21 x 30 cm
2021
RM 2,500 / Reserved
"Cabaran berdepan pelbagai kesukaran dan ujian dalam meneruskan kehidupan masa kini. Karya “Bunga Kita“ sebagai bunga raya kebangsaan simbol kebanggaan kita yang mempunyai pelbagai maksud dan keunikannya dikawal selamat dengan menutupi jaringan. Kesegarannya hampir susut dan layu di mana penantian dan harapan untuk bertahan hidup perlu diteruskan." - Husin Othman
16
Bunga Kita
Husin Othman
Acrylic and galvanised on canvas
30 x 30 cm
2021
RM 1,200 / Reserved
"Lembaga (Seni Kini) is a new series of my new work for 2021. Seni Kini is about my hope for the Malaysian art scene, using an image of Parliament as the base form and then collaging a piece of paper from Seni Kini magazine.
I put hope on our government and organization, that would they do their best and always be ready to lend a helping hand to our art scene." - Arikwibowo Amril
17
Lembaga ( Seni Kini )
Arikwibowo Amril
Paper cut, Seni Kini Magazine on canvas
103.5 cm x 78.5 cm
2021
RM 3,200 / Reserved
18A
Biscuit / Cheese cracker
Squid jajan / Biscuit tige
Donald Abraham
Watercolor on paper
21 cm x 14.5 cm each
2021
RM 1,000 / Reserved
18B
Kawan-kawan bahagia / Look at this peacock tell me he’s broke / Riding high / Hold on me
Donald Abraham
Watercolor on paper
21 cm x 14.5 cm each
2021
RM 1,000 / Available
"During RMCO I took a walk around KL to observe the "new normal". Almost everything was closed save for a few family-owned businesses. One such business was a flower shop run by an old couple; their flowers felt out of place. I stopped to smell the flowers and realized that something as small as a flower could have such a large impact on my day. This made me question how much of an impact I could have on someone else's day. I chose to paint flowers because they are seen as a symbol of compassion and positivity when times are bleak. I hope this painting can be a reminder to stay positive and encourage everyone to spread a little love in these difficult times. When we leave lockdown it’ll be with a new sense of community, hope, and optimism; like flowers in a pandemic." - Christian Lau
19
Who buys flowers in a pandemic?
Christian Lau
Watercolor on paper
50 x 70 cm
2021
RM 2,000 / Reserved
"Karya ini bersifat naratif yang berkisarkan tentang simbolik kepada perjalanan hidup manusia dalam mencari atau melengkapkan naluri fitrahnya dalam memahami diri dan penciptanya. Sudah menjadi fitrah manusiawi yang berakal itu untuk mencari kebenaran dan memperbaiki diri agar kelak dapat bertemu dengan penciptanya. Dunia ini ibarat satu perjalanan panjang yang menguji makhluk tentang kepatuhan terhadap pencipta. Agama telah menjadi satu instrument penting sebagai panduan untuk Berjaya didunia dan diakhirat. Hidup manusia itu bukanlah dikira pada permulaanya tetapi bagaimana pengakhirannya. Setiap Kewujudan dengan objek di sekeliling kita mengingatkan saya tentang konsep kewujudan itu sendiri dimana setiap yang wujud ada penciptanya, pemulanya dan penamatnya. Karya ini adalah satu ungkapan persoalan terhadap tanggungjawab manusia seumur hidup mereka kepada makhluk , alam dan tuhan." - Fadli Mokhtar
20A
A Sacred Journey- Pencarian Abadi
Fadli Mokhtar
Monotype and collage on paper
28.5 x 39 cm
2020
RM 1,200 / Reserved
"Sejak berkurun lamanya, manusia telah mengalami pengalaman spiritual melalui kepercayaan dalam beragaman. Karya ini merupakan ungkapan simbolik terhadap kepelbagaian sembahan manusia yang berbentuk representasi ataupun yang tiada representasi/tidak berjasad/zat. Hal ini bertujuan untuk merepresentasikan adanya konsep kesatuan dalam keragaman. daerah,agama/kepercayaan. Karya ini adalah berdasarkan pemerhatian dan pengalaman saya dalam mendalami budaya dan sejarah serantau. Kerencaman dan kepelbagaian ini dapat dilihat melalui konsep kesatuan dalam keragaman pada daerah, agama/kepercayaan dalam kebudayaan Nusantara. Secara visualnya, saya cuba merekodkan elemen penyatuan dalam karya ini sebagai metafora atau perlambangan kepada kekayan konsep -unity in diversity yang wujud dalam kepercayaan dan kebudayaan di nusantara." - Fadli Mokhtar
20B
Makhluk dan Sembahan
Fadli Mokhtar
Monotype and collage on paper
28.5 x 39 cm
2020
RM 1,200 / Available
21
Mengambang
Fadhli Ariffin
Charcoal on paper
120 x 85 cm
2020
RM 1,800 / Reserved
"Duduk di rumah, stay at home, ya, itu yang saya dan kebanyakkan artis patuhi. Tapi rasa dah terlalu lama sehinggakan rasa bosan dan lemas itu dirasai setiap hari. Karya ini adalah luahan rasa PKP yang berlarutan. Menggunakan imej pisang awak dan bayangan kepala KKM sebagai simbolik yang berlaku pada pandemic waktu ni, dan kata awakku diambil dari Bahasa Jawa yang bermaksud badanku yang mengekspressikan perasaan saya sendiri." - Sukor Romat
22
Pishang Awakku
Sukor Romat
Plastic filament on canvas
30 x 30 cm
2021
RM 1,500 / Reserved
"Kedua - dua karya saya tentang kesinambungan fizik figuratif dalam bentuk- bentuk rhythm yang mempengaruhi elemen komposisi dan warna. Dalam pada itu juga,Bentuk- bentuk subjek di olah dalam semi abstrak yang di ekspresi kan oleh saya." - Fuji Anggara
23A
Carry On
Fuji Anggara
Acrylic on canvas
92 x 92 cm
2021
RM 1,700 / Reserved
23B
Mix and Match
Fuji Anggara
Acrylic on canvas
62 x 62 cm
2021
RM 400 / Reserved
"Karya ini adalah dari salah satu dari series terbaru saya “AKU_ARIUM” yang bermaksud “AKU”:adalah bermaksud; saya, aku, diri sendiri & “ARIUM” yang bermaksud; tempat tinggal, habitat, sekeliling & seantaranya." - Aza Ikmal
24A
Sang Oren & Pengikutnya
Aza Ikmal (Bidas)
Charcoal, acrylic on watercolor paper
76 x 76 cm (including frame size)
2021
RM 2,800 / Reserved
24B
Black Moor & Bunga Hitam
Aza Ikmal (Bidas)
Charcoal, acrylic on watercolor paper
76 x 76 cm (including frame size)
2021
RM 2,800 / Available
"Dunia keindahan haiwan dan alam semulajadi menjadi subjek dalam lukisan saya , ini kerana sebahagian hidup manusia dikelilingi alam semula jadi serta haiwan,sebagai manusia, tidak ramai antara kita yang perihatin dan mengambil berat tentang keadaan sekeliling dan membuat tindakan yang boleh memburukkan alam serta haiwan.
Sebagai seorang pelukis saya mengambil pendekatan menyuarakan suara hati haiwan mengikut apa yang saya rasa sesuai sebagai media perantaraan dalam karya saya dan menyampaikan mesej melaluinya
Saya memilih gaya lukisan pop art iaitu penggunaan warna yang cerah serta menonjol yang mudah menarik perhatian audiens dimana bagi saya lukisan ialah suatu bentuk yang menarik perhatian selain dari subjek warna juga memainkan peranan penting dan warna yang cerah serta menonjol boleh menaikkan mood seseorang" - Haris Kadir
25A
King Of Jungle
Haris Kadir
Acrylic on canvas
59 x 59 cm
2019
RM 1,200 / Available
"Migration’ dalam karya ini saya telah mencuba satu teknik penghasilan karya yang baru iaitu teknik ’ transfer image’ dengan menggunakan bahan gel medium dimana gambar yang dprint boleh ditransfer ke atas pelbagai bahan termasuk kanvas..Penggunaan subjek serangga yang banyak serta pokok2 sebagai support image menekankan aspek penghijrahan serangga secara beramai2 disebabkan kekurangan pokok2 yang sepatutnya menjadi habitat serta punca makanan bagi mereka dan karya ini sebagai satu pandangan sinis kepada pembalakkan yang tidak terkawal sehingga mengganggu ekosistem" - Haris Kadir
25B
Migration
Haris Kadir
Acrylic and image transfer on canvas
62 x 62 cm
2019
RM 1,200 / Reserved
"Greenery in nature is a color said to be very therapeutic to one’s mind and soul. It is not a personal view but the color “GREEN” especially in Islam is the most beautiful color in nature. Nature is very comforting to one’s psychology. As the world-changing, and poorly planned infrastructure, our forests begin to deteriorate. Human-driven greediness and unsustainable forest management led to these difficulties. As a person that loves nature and is grateful for God’s creation, it saddened me to see this enigma. Through deforestation of our environment, I portray myself as a subject that symbolizes the sadness through deforestation of our nature where dried roots crawl over the body and the repetition of body gestures creates movement that shows the subject in agony. Dark colors are applied in the artwork to represent the dark, desolate, and misery of the subject" - Iylia Afiat
26
Sadness Through Deforestation
Iylia Afiat
Mixed media on paper
92 x 69 cm
2019
RM 2,000 / Reserved
"The shape of the color palette is very similar to the games we played when we were kids, like 'Congkak' and 'Lompat ketinting'.The big palette also appears like spaces where one may hide. So these interesting ideas have turned into an interesting process of teaching my children to draw. With the inspiration of this painting, I combined the children's creativity with my discovery, and returned to the original intent of expressing pure and playful feelings." - Jasmine Cheong
27A
Hide and Seek III
Jasmine Cheong
Oil and acrylic on canvas
110 x 120 cm
2017
RM 2,700 / Reserved
"This artwork takes an interesting perspective of the poster colour. I used the vision of the top view to make this picture interesting. The perspective of this top view provides us with the outside of the poster colour lid, the inside of the lid, and the inside of the container of paint. It continues the series of my artwork hide and seek. I play with the fun and simple children with the colour paint, so that people who watch the work can also like play hide and seek,guess where is that and what is that .The interesting part of my work is that it involves some form of abstract and realism, which reflects a combination of objects and feelings" - Jasmine Cheong
27B
Happiness of Circles
Jasmine Cheong
Oil and acrylic on canvas
50 x 50 cm
2018
RM 2,600 / Available
"This artwork depicts a lonely tortoise." - Jason Teo
28A
孤獨的烏龜Lonely tortoise
Jason Teo Jia Hao
Oil on plywood on canvas
51 x 38 cm
2021
RM 1,200 / Reserved
"This work expresses the mother's love for her children." - Jason Teo
28B
母愛Maternal love
Jason Teo Jia Hao
Oil on plywood on canvas
38 x 51 cm
2021
RM 1,200 / Available
"Setiap artis mempunyai cara tersendiri untuk menyampaikan idea melalui karya masing-masing. Idea yang bawa dalam karya ini lebih kepada format karya itu sendiri. Saya menggunakan format fotografi, iaitu seperti polaroid. Karya ini merupakan pengalaman atau jalan cerita yang pernah saya rakam melalui lensa kamera. Karya ini lebih fokus terhadap alam semula jadi yang merupakan terapi buat saya untuk mendapatkan ketenangan dengan cara saya. Oleh itu, saya cuba rakamkan beberapa gambar yang menarik bagi saya untuk dijadikan kenangan yang mungkin tidak semua orang dapat merasainya. Objektif karya ini adalah untuk menyampaikan keindahan alam semula jadi yang patut kita jaga untuk warisan akan datang." - Loqman Hakim
29
Pohon Larangan
Loqman Hakim
Oil on Canvas
90 x 90 cm
2021
RM 1,900 / Reserved
"Everything that has made a visual appearance to our eyes marks an existence. It occupies a space no matter what form it arrives as,whether a pebble from the stream we grasp in our palm or the water that flows through our feet or the peaks we witness before us, they mark their arrival into this physical world. Whether it creates interests to one or not, it is closely relatable to us that is glorified with marks and textures. One does not only experience its existence by physical but psychological touch. To witness and respect the beauty of life, is to love." - Mark Lee
30A
The Rising - Love
Mark Lee
Acrylic and oil on Canvas
121 x 121 cm
2020
RM 5,000 / Reserved
30B
The Rising - Integrity
Mark Lee
Acrylic and oil on Canvas
121 x 121 cm
2020
RM 5,000 / Reserved
"Uncle Lim, (127cm x 96cm) an old family friend and contractor of renovations at our home had a friendliness and calm demeanour that stood out to me from my childhood days. He had a passion for gardening and nature that complemented his own serenity within. I have captured him in the midst of gardening beaming with the joy of nature. I did this, particularly in the background, by imitating David Hockney’s painting technique in ‘The Joy of Nature’." - Mary Ann Thomas
31
Uncle Lim
Mary Ann Thomas
Oil on Canvas
127 x 96 cm
2019
RM 4,800 / Available
"In a temporary and unstable reception, my work obsessively explores the interplay of juxtaposition between an object, body, and primary situation which directly involves the mundane aspect of everyday life. Fundamentally, each alteration is to reveal or create an otherwise obscure feature, which attempts to destabilize the viewer’s noon of reality and authenticity. In an abstract situation, this idea is driven by taking familiar objects, subjects and procedures out of the real context to elicit new interpretations that are normally unstable. In this a!empt, I recontextualized the subject in order to simulate the viewer’s imagination and transcend an alternative visual vocabulary which we called “subjective construct”. I focus on blurring the original meaning into a new structure for the audience in revealing “new logic” which is inspired by Roland Barthes “third meaning” that suggests every image has its own accidental meaning in evoking a sense of the extraordinary within the ordinary. Time becomes the acon; unfamiliarity becomes the priority’." - Mohammad Zulkefli
32A
Human Dart
Mohammad Zulkefli
Collage and graphite on paper
21 x 30 cm
2021
RM 600 / Reserved
32B
Human Missile
Mohammad Zulkefli
Collage and graphite on paper
21 x 30 cm
2021
RM 600 / Available
"Since the global pandemic outbreak, the entire world has been under constant hardship and struggle. Our country is among the ones facing the worst implications of the pandemic. Inspired by classic video games, this pop-surrealism inspired artwork symbolizes the struggle of our country’s citizens, especially the ones that were affected financially, and often mentally, by the pandemic and the lack of financial source during the Movement Control Order. Comparing the pandemic life with playing video games, I have emphasised on the importance of strategically preparing ourselves, physically and mentally in order to survive in this trying time." - Haris Hilmi
33
N.P.C Survival Of The Fittest
Haris Hilmi Hasram
Acrylic on canvas
46 x 61 cm
2021
RM 900 / Reserved
"The main inspiration for all the work comes from a love affair with the emotion, beauty, and sickness of self expression to create something that conjures a moment of insight or memories. My works are usually inspired by nature through memory, experience and the environment that catch my eye and every work is a memory at that moment. I am always intrigued with the beauty of texture, line, form, gesture and color based on the subject.The work initiates and takes its structure from rudimentary visual gesture, a scrawl, a mark and scratch. Emphasizing the process, I play with swiftness and imperfection in the work and expose my own process of discovery through the mark-making. The physical and emotional process of creation renders a delicate balance between body, memory and psychology. The final result is an expression of my own self reflection." - Nazhan Fikri
34
Gores
Nazhan Fikri
Mixed media on canvas
76 x 61 cm
2021
RM 900 / Reserved
35
The Thinker Not Thinking Well
Nik Mohd Shahfiz
Oil on canvas
61 x 61 cm
2019
RM 1,800 / Reserved
36
Trophy
Aleff Ahmad
Acrylic on canvas
60 x 60 cm
2016
RM 1,400 / Reserved
"Pada subuh bermula dasar pertama. Kurang maya lalu hati direntap perasaan gusar pada bulan mencabar. Hamba lalu terus kepadagabungan warna awalan pemula calitan setahun lalu. Gemar pada hijauan, suka pada senja. Sejujurnya muka ini adalah lukisan graviti yang dibantu pemilik. Hamba hanya berada sebagai perantara. terus menikmati ciptaan ini lalu lahir pertembungan tenang dan gusar. Garik dan garisan. Pusing dan Hempasan. Catuan dan spontan. Tegak dan terbalikan. Andai itu kesan samping maka itulah pengakhir. Pada itulah hadir halwa mata. Halwa rasa. Rasa puas. Puas hati." - Nizar Manaf
37
Tulus : Muka 1
Nizar Manaf
Acrylic on canvas
107 x 138 cm
2020
RM 1,200 / Reserved
"Sekawan angin asing menjelaskan mengenai perihal kehidupan mengenai perkara yang mendatang didalam hidup kita yang hadirnya secara tiba2 mampu membinasakan kehidupan kita, seperti sekelompok jajahan yang membinasakan penduduk dgn undang-undang mereka yang membuat penduduk bisa binasa." - Raden Hisbullah
38A
Sekawan Angin Asing
Raden Hisbullah
Acrylic and Chinese ink on canvas
91 x 61 cm
2021
RM 800 / Reserved
"Semiotic poison” menghuraikan perkara-perkara yang dari sudut lahiriah mebincangkan perihal kecantikan atau keindahan yang dikecapi mahupun dimiliki tidak semua mendatangkan kepada kepuasan jiwa semata-mata, kerana perkara yang bersifat keindahan juga kadangkala mendatang satu perkara yg mampu meracuni jiwa dalam tidak sedar." - Raden Hisbullah
38B
Semiotic Poison
Raden Hisbullah
Acrylic and chinese ink on canvas
120 x 120 cm
2021
RM 2,000 / Reserved
"Karya ini adalah satu paparan sosio budaya masyarakat ahli seni yang terlibat dengan seni persembahan. Karya ini secara imejan menunjukkan lelaki melakukan satu persembahan dengan melakonkan dirinya sebagai tugu atau dikenali sebagai “Statue-man”. Suatu persembahan yang memerlukan kawalan diri yang tinggi dan sangat kontra dengan situasi bukit bintang yang sesak dan bising pada ketika itu. Suasana yang sempat dirasai dan dirakam melalui kamera pelukis kemudiannya telah diterjemahkan kembali dalam bentuk catan cat minyak. Berharap audien lain mampu merasai keikhlasan yang wujud dalam situasi tersebut. Tambahan lagi, apabila dengan tercetusnya pandemik sudah pasti memberikan kesan pada rutin mencari rezeki para seniman ini. Semoga mereka diberikan kekuatan dan diluaskan pintu rezeki." - Razali Abas
39
Statue-Man di Bukit Bintang
Razali Abas
Oil on canvas
61 x 91 cm
2020
RM 500 / Reserved
"Karya ini merupakan ekspressi dan imaginasi saya terhadap sampan atau kapal lama. Nampak buruk dan tak berguna. Tetapi kadang-kadang, barang yang lama dan buruk ini mempunyai nilai yang sangat tinggi sama ada dari segi nilai komersial, mahupun nilai sentimentalnya. Idea dalam karya ini adalah sebuah sampan atau kapal lama. Dalam karya ini, saya cuba membayangkan bagaimana sampan yang buruk ini di olah dalam bentuk yang lebih maju atau “futuristic”. Dimana ianya tidak lagi digunakan di laut, tetapi digunakan di atas awan seperti kapal terbang & helikopter. Saya meniru dan mengaplikasikan warna-warna karat, besi lama dan cat yang pudar warnanya di dalam karya ini agar kelihatan kontemporari, tapi misteri." - Faidah Nazeri
40
Old But Gold
Faidah Nazeri
Acrylic on canvas
90 x 90 cm
2021
RM 1,800 / Reserved
"Memilih subjek hidupan laut iaitu terumbu..terumbu juga merupakan sejenis hidupan laut.. sangat penting pada ekosistem hidupan laut.. jadi lukisan ini untuk memberi kesedaran kepada audien tentang kepentingan hidupan laut." - Sukairi Shahri
41
Terumbu
Sukairi Shahri
Resin on MBF board
122 x 82 cm
2019
RM 5,000 / Available
"Karya “the Dhuha” ini adalah menggambarkan satu landscape pada waktu pagi yang tenang. Secara bahasa, al-Dhuha (الضحى )boleh diterjemahkan kepada “Waktu Pagi” atau “Sinar Pagi”. Yang mana kita bangun pagi untuk mulakan hari yang baru dengan semangat yang baru. Penggunaan warna hijau dan biru memberikan kesegaran apabila melihat karya ini. Saya tidak memilih format landscape kerana saya suka melihat dia seperti bentuk buku dan karya saya tidak terikat dengan satu format sahaja." - Syukur Rani
42
The Dhuha
Syukur Rani
Acrylic on canvas
90 x 90 cm
2021
RM 3,800 / Reserved
"‘Hierarki’ menceritakan tentang realiti kehidupan sekarang dimana setiap garisan mewakili setiap kelas sosial yang wujud. Garisan putih di bahagian bawah merupakan golongan yang tidak bernasib baik dan hampir tidak bertahan. Mereka sering ditindas oleh golongan-golongan di atas sehingga berada di dalam keadaan terperangkap. Selain itu, garisan-garisan yang semakin meningkat akan menyebabkan golongan di bawah terjejas dengan teruk manakala yang di atas tidak berpijak pada bumi yang nyata. Golongan atasan juga sentiasa senang dengan berada di atas tanpa memandang ke bawah sekalipun.
Dari jauh kita akan nampak garisan gelap dahulu, ini menunjukkan bahawa golongan atasan sentiasa mendapat perhatian penuh berbanding yang di bawah. Inilah realiti sekarang, di zaman covid-19 ini, yang kaya semakin kaya, manakala yang miskin semakin miskin. Yang kaya mendapat kelonggaran untuk segalanya, manakala yang miskin mendapat saman semuanya.." - Aina Arif
43
Hierarki
Aina Arif
PVC hose tube, fabric discards, and acrylic on canvas
30cm x 25cm
2021
RM600 / Reserved
"‘Rising, streetcar, four hours in the office or the factory, meal, streetcar, four hours of work, meal, sleep, and Monday, Tuesday, Wednesday, Thursday, Friday, and Saturday…. All according to the same rhythm. This daily structure is easily followed most of the time. But one day the "why" arises and everything begins in that weariness tinged with amazement." - Albert Camus, The Myth of Sisyphus
“Humans live in their perception of reality, never in the real world. They have a version of the world inside their heads and these things are never perfect. The meaning attributed to life may just be an illusion. Go about life doing the most bizzare, banal things. Humans do things that are absurd. The repetitiveness of lives, from birth to grave. What is the point of all this?" - Amey Azizan
44
The Pessimist
Amey Azizan
Acrylic on Canvas
45x45cm
2020
RM500 / Reserved
"‘I look at the side of a way questioning the emotion, attitude, and fear which have formed that environment and human behaviour. My artwork inspired by the hideous side of human that as common denominators of our personal environment" - Amirul Md Noor
45A
Silent
Amirul Md Noor
Charcoal, acrylic on canvas
91 x 121 cm
2021
RM 1,800 / Reserved
45B
Perplexity
Amirul Md Noor
Charcoal, acrylic on canvas
91 x 121 cm
2021
RM 1,800 / Available
"Fajar Menyinsing, Langkah Kiri” portrays a construction worker sitting, while smoking cigarettes in a bush, relaxing without care of the world as he positively faces the trials and tribulations that come his wayt" - Arif Hassan
46A
Men working series I – “FaJar menyinsing, langkah kiri”
Arif Hassan
Etching and aquatint on paper
30.5 x 19.5 cm
Edition 4/10
2020
RM 300 / Available
"‘Ufuk Senja’ features a man who watches the sunset, as he ends a day at work by cleaning the land with the excavated tractor while observing the horizon. He longs to finish up so he can rest for the night and start a new day tomorrow." - Arif Hassan
46B
Men working series - “Ufuk Senja”
Arif Hassan
Etching and aquatint on paper
30.5 x 19.5 cm
Edition 8/10
2020
RM 300 / Reserved
"This is a hungry devil who craves for everything, Hungry and desperate. A reflection of the artist. Myself." - Choon Kok Choo
47A
Hungry Devil
Choon Kok Choo
Oil on canvas
30 x 42 cm
2021
RM 900 / Reserved
47B
Untitled
Choon Kok Choo
Acrylic on canvas
80 x 80 cm
2021
RM 1,900 / Available
"Texture and depth, intersecting spatial forms, as well as a love of detail have become the focus of my painting. My artwork is always a journey of discovery into the essence of being. It is an effort to externalize the truth of my own existence on as many levels as possible and communicate a greater awareness of the quality of life. This artwork provides the viewer with the ethereal experience of finding images and shapes within and behind other shapes and providing the viewer with a “safe passage” through the canvas. The compositions invite the viewer to reach their own conclusions about what the symbolism may represent. My artwork creates seemingly endless varieties of contrast and vibrant interaction, raised and recessed surfaces, and glossy and matte combined finishing. - Faris Ridwan
48A
Sel-LUNA Series #2
Faris Ridwan
Acrylic on canvas
122 x 91 cm
2021
RM 2,000 / Reserved
48B
Jab-LUNA Series #2
Faris Ridwan
Acrylic on canvas
122 x 91 cm
2021
RM 2,000 / Available
"My artwork is inspired by the concept of origami where I focus on the folding technique. I am interested in this concept because of the historical ‘Thousand of Crane’ which symbolises ‘hope’ in Japanese Belief. I manipulate the materiality of metal plates to create the audience's perception of paper character. By using the discipline of 3 dimensional (sculpture), I expand the understanding of drawing and apply it to wall pieces. As a sculpture based graduate, I discovered a technique that can expand into drawing but remain the essence of sculpture. ‘Online Class’ reflects from the current situation impact from the Movement Control Order (MCO) which affects the educational sector.Student cannot attend the physical classes as usual which change the educational way of teaching and learning. But as an artist, I believe there is still hope in the educational system in the midst of a pandemic. I portrayed the meaning of hope through this artwork which is paradoxically demonstrating the metal into the character of a paper sheet- Amirul Yazid
49
Online Class
Amirul Yazid
Spray paint, oil paint and bitumen on metal plate
113 x 114 cm (diptych)
2021
RM 2,000 / Reserved
"I am inspired by emotions, by places, by nature, games, films, colours and texture around me. You will find a lot of these elements place together in my painting. Although I may not know the outcome of the piece when I begin. A painting is never planned but rather an automatic response to an experience happening at the moment or made in memory of.- Felicia Jia Hui
50A
Monopoly in Life
Felicia Jia Hui
Mixed media on canvas
59 x 84 cm
2020
RM 1,200 / Available
50B
Dreaming Bedroom
Felicia Jia Hui
Mixed media on canvas
76 x 83 cm
2020
RM 1,200 / Reserved
"Siri Hijau Alam ialah sebuah siri yang menjadikan alam seperti gunung-ganang, hutan ,air terjun dan tumbuh-tumbuhan sebagai sumber rujukan. Abstrak Expressionism merupakan cara pengkarya menterjemahkan hasil lukisan beliau.- Fizrie Azhari
51A
Mimpi Si Puteri Gunung Ledang
Fizrie Azhan
Acrylic on canvas
66 x 79 cm
2021
RM 650 / Reserved
51B
Senja
Fizrie Azhan
Acrylic on canvas
46 x 77 cm
2021
RM 500 / Reserved
"There are many mysteries to unveil behind my mind, sometimes they can be a harmony between reason and emotion, while sometimes they don’t." - Lim Xiao Mun, Yuki
52
In The Mist
Lim Xiao Mun, Yuki
Acrylic on canvas
25 x 25 cm
2021
RM 500 / Reserved
"The idea of middle class muddle on self-concept is obsolete by the escalation in the digital age. In this artwork, the juxtaposition of images and subjects that I try to visualize is the distinction between my local culture and western standard of living. Where I use a semiotic as to propel the meaning of how I as the figure in the artwork shown where my culture or my life was more outmoded and somewhat try to grasp up or synchronize with current time. Compared to the astronaut (western) image displayed that is already sentient and far beyond with all this technological advancement. Moreover, the visual syntax in this artwork shows as if giving to me (middle class) and where I receive it with gratitude as if it were a great favor commencing the gift from above (Heaven).- Heidhir Hamdan
53
A Boon from Heaven
Heidher Hamdan
Acrylic and image transfer on canvas
122 x 92 cm
2020
RM 1,900 / Reserved
"This artwork inspired me when I was having a severe hair loss problem. I started to collect my fallen hair every single day, and I did it for a month. Gradually, the accumulated hair volume began to form a shape like a bird’s nest. Hair loss is one of the effects of stress on your body. There are relations between hair and human’s mental health, for example, anxiety, depression, stress and so on… We are told anxiety is a legitimate response to the stresses of modern living, and anxiety is almost considered a status symbol that signals how busy and successful we are.
“Fallen Hair” has remained the stress that life has to give to us. But using this fallen hair to rebuild a home for people suffering from anxiety has redefined the meaning of anxiety for them, a home sweet home.- Liew Mei Toong
54A
Nest
Liew Mei Toong
Glass dome, paper clay and hair
12 x 9 x 7 cm
2021
RM 1,000 / Reserved
"This artwork is a continuation of the previous artwork entitled ''NEST”. It depicts a person hugging another, but they share the same body, essentially representing your other self. I hope this work reminds everyone to love themselves. If you are having a hard time, pat yourself on the back. Take care of yourself, it is normal to be anxious, worried, and uncertain during this time. However, remember that it is hard to take care of others if you neglect yourself. So do not forget to be self-aware and to know when it is time to take a step back and have a break.
- Liew Mei Toong
54B
Safe Haven
Liew Mei Toong
Acrylic on paper clay
12 x 9 x 7 cm
2021
RM 700 / Reserved
"How much data does Google or Facebook have on us? Do we know how we are harvested of our data when we use free services like Google or Facebook?
Our lives converge on this platform; we share things we assume is correct. We show our preferences and taste on the platform that quickly leads the platform to understand us further. Doesn’t it feel weird when something we googled showed up as an ad on websites and social media? Like a big brother is stalking us. On top of that, misleading articles would sometimes appear to us as well. Social media is the leading platform that can sway public opinions. Any form of misinformation will create an unnecessary polarization in society. Hence, these attributes of Facebook and Google inspired me to produce these two images, ‘Farcebook’ and ‘Oogle’ in this series of works. - Lim Li Wei
55A
Farcebook
Lim Li Wei
Oil on canvas
91 x 61 cm
2021
RM 1,200 / Reserved
55B
Oogle
Lim Li Wei
Oil on canvas
91 x 61 cm
2021
RM 1,200 / Available
"My work has been greatly influenced by my interest in reading. I interpret and relate the emotion from reading into my surroundings, including daily life events that capture my interest. Although there are differences between individual projects, they are produced with the common principle. Generally each project consists of multiple works, with specific themes in mind." - Lim Yong Wei
56A
Milo, Cookies and Noodles
Lim Yong Wei
Oil on canvas
30 x 41 cm
2021
RM 800 / Reserved
56 B
NG Chilling II
Lim Yong Wei
Oil on canvas
56 x 42 cm
2021
RM 1,000 / Available
"Karya ini menceritakan setiap masalah yang kita hadapi semua boleh selesaikan. Visual belon itu adalah metafora masalah yang tergantung kepada seseorang. Kita hanya perlu memutuskan tali belon itu dan melepaskan masalah itu pergi." - Mohamad Danial
57A
Floating Problem
Mohamad Danial
Acrylic and Chinese ink on canvas
61 x 61 cm
2021
RM 600 / Reserved
"Apabila seorang rakan itu mengalami depresi atau tekanan, dia perlulah mencari rakan yang positif untuk meluahkan. Kerusi yang tinggal satu kaki tetap boleh berdiri jika mempunyai kerusi yang sempurna untuk membantunya berdiri.." - Mohamad Danial
57B
Broken Chair
Mohamad Danial
Acrylic and charcoal on canvas
91 x 91 cm
2021
RM 1,200 / Available
"Karya saya membicarakan tema seni abstrak yang tiada objektif melalui konsep muzikaliti dalam catan. Saya berminat untuk mengetengahkan tema abstrak dalam karya melalui konsep muzikaliti kerana, seni abstrak merupakan bahasa sejagat yang wujud dalam alam muzik melalui kebersamaan emosi. Konsep muzikaliti yang saya ketengahkan melalui pemilihan warna yang saya analogikan sebagai skala muzik yang akhirnya membentuk satu melodinya sendiri. Saya merasakan bahawa melodi adalah satu tenaga muzikal dalam membentuk catan secara spiritualnya. Terdapat tiga postur atau keberadaan tenaga dalam abstrak yang bersifat melodik yakni permulaan, pertengahan dan pengakhiran. Bila baris muzik didemonstrasikan, saya hanya perlu bersama dengan bunyi dan menjadi bunyi itu sendiri dalam membentuk komposisi dan susunan dalam catan. Saya juga meletakkan diri sebagai mimetik kepada muzik sebagai analogi. Jadinya, keberadaan diri saya tersangat naif ketika proses pengkaryaan. 'Terima Kasih' merupakan satu luahan saya melalui bentuk catan yang lebih bersifat puitis dan ada melodinya tersendiri. Analogi abstrak sebagai muzik merupakan cara luahan saya kerana muzik merupakan satu bentuk tenaga yang bersifat realiti.." - Nur Khairi
58
Terima Kasih
Nur Khairi Hamidi
Oil on canvas
61 x 61 cm
2021
RM 800 / Reserved
"My idea was about the engagement of two different worlds: the material world and the spiritual world. I visualize it metaphorically which is something like a window or border as a symbolism of ‘hijab’ which means obstruction to look at something and the sky as spiritual world that possesses a calm, peaceful and tranquil expression." - Rassul Mokhtar
59
Looking for Tranquil
Rassul Mokhtar
Mixed media on canvas
121 x 91 cm
2020
RM 1,800 / Reserved
"The artist describes her state of limbo throughout this ongoing pandemic in her current series of works titled “In A Limbo”. She questions her future, freedom and presence in a new world, as she embarks on a journey of discovering her authentic self, the divinity within and around her, and to find peace as she navigates this new and uncertain landscape. She hopes, just like everyone else experiencing this sense of doom and gloom, to find the strength and resilience to keep carrying on as the nation and the world continues to be stricken by this deadly, devastating pandemic." - Rekha Menon
60
In A Limbo - Self
Rekha Menon
Mixed media on canvas
91 x 76 cm
2021
RM 2,500 / Reserved
"Pucuk Baru adalah karya tentang respon terhadap alam sekitar yang dicerobohi akibat kerakusan manusia meneroka alam yang tiada noktahnya. natijahnya pasti kepada ekosistem. Pucuk Baru dalam bahasa mudahnya menggambarkan sebuah harapan serta aspirasi dalam sebuah perjalanan dan pengembaraan yang baharu. Dengan menggunakan imej-imej alam semula jadi seperti ranting dan dahan usang serta imej daun yang lebih mekar sifatnya bagi menggambarkan tentang liku ranjau yang ditempuhi sepanjang kembara itu dan akhirnya menemui sesuatu yang mampu mengukir senyuman disebalik kesusahan yg telah dilalui." -Shahnaz Azlin
61
Pucuk Baru
Shahnaz Azlin
Acrylic on canvas
121 x 91 cm
2020
RM 2,000 / Reserved
"The fleetingness of time, far from being something to dread and fear, should reinforce the importance and the sacred gift of life. You are present. Right here. Right now." -Sharini Yogi
62A
Elysian fields
Sharini Yogi
Acrylic on plywood
105 x 196.5 cm (Triptych)
2021
RM 1,800 / Reserved
"Let it wander, let it dull the sharp corners of ideas. Let the reverie correct the all too angular contours of pure thoughts.." -Sharini Yogi
62B
Nefelibata
Sharini Yogi
Acrylic on plywood
101 x 76 cm
2020
RM 1,900 / Reserved
"Through this series, I try to capture the buildings of today in Kuala Lumpur. Some of these buildings have become iconic buildings and landmarks of their time. A lot of new development has come at the cost of old existing structures. At this junction, I am curious about what the city of the future might look like. As sturdy as we think our civilization is, its grip on nature is tenuous as best. If any cracks appear in the faces of our buildings, nature is quick to move in and take over. Our buildings would begin crumbling soon after without human maintenance or energy sources. Would nature win the battle against civilization? Here I use drypoint etchings to serve a visual historical document and record." -Tan Kar Mern
63
Mont Kiara
Tan Kar Mern
Drypoint and ink wash on paper
30 x 42 cm
2018
RM 1,800 / Reserved
"To destroy or disassemble the existing picture or thing, then to reassemble or organize it, is comparable to destroying an old building and rebuilding it. From the beginning to the end of the process, it slowly forms a unique vision. Fill in the imperfections and build a stable and comfortable building. Redefine and think about the value of the original object" -Thong Yoong Onn
64A
Fix Fit
Thong Yoong Onn
Wire net, fishing line, gesso, sand, industry glue, acrylic on canvas
120 x 70 cm
2019
RM 2,000 / Available
"To observe the spiritual predicament, the subjective point of view enjoys the limitation confined to the infinite space. Confined to a limited space, the social reality represses the hidden ambitious, observing the internal and external spatial changes. To have the corresponding rationality and sensibility to redefine the world is right and wrong." -Thong Yoong Onn
64 B
Impact of Visual
Thong Yoong Onn
Wire net, fishing line, gesso, sand, Gesso, silkscreen on wood
53 x 50 cm
2021
RM 700 / Reserved
"During traditional Chinese weddings, a lot of food will be prepared for the wedding ceremony. In my artwork, l have chosen some of these food to put on the bride's head instead of the bride headdress. Each of the food has its own meaning and good omen. Like the steamed sponge cake is for prosperity and apple means safe and sound. These foods represent blessings to the bride and bridegroom.." -Yong Hui Lin
66
Blessing II
Yong Hui Lin
Acrylic on canvas
90 x 90 cm
2020
RM 1,800 / Reserved
"This painting is my own family portrait with some of my family members. Despite the ordinary family portrait, I like to rearrange each of us in a surreal background. I think this is another interesting way to remember the time we spent together." -Yong Hui Lin
67
We Are Together
Yong Hui Lin
Acrylic, pastel pencil, dry leaves and magazine collage on canvas
120 x 90 cm
2020
RM 2,000 / Reserved
"Subjek pada karya ini menunjukkan figura yang mengenakan pakaian suku kaum Murut yang diperbuat daripada kulitkayu iaitu baju lalandau. Pengkarya memilih subjek kajian ini keranamodernisasi telah menghakis tradisi dan budaya suku kaum yang ada di Malaysia termasuk suku Murut. Perkara ini membimbangkan sekiranya budaya dan sejarah termasuk pakaian tradisi Murut ini dilupakan sepenuhnya oleh generasi yang akan datang terutama oleh rakyat Malaysia itu sendiri. Oleh yang demikian, pengkarya telah melakukan kajian dan telah memilih peristiwa perang Rundum sebagai inspirasi karya bagi memperlihatkan lagi kegagahan dan keunikan pakaian tradisional Murut tersebut ke atas kanvas. Pengkarya Berharap masyarakat tidak seperti kacang yang melupakan kulit dan berharap agar karya ini dapat memupuk semangat patriotisme di kalangan rakyat Malaysia dan memperingatkan bahawa Perang Rundum sebenarnya memperlihatkan bahwa sesuatu kaum itu jika terlalu ditindas maka satu saat nanti mereka akan bangun memberontak dan melawan.." -Zulaikha Simon
68
Murut Warrior
Zulaika Simon
Acrylic on canvas
60 x 60 cm
2021
RM 1,000 / Reserved
"Theoretically, the mind moves in opposition to the conscious mind and the emotion exists when the feeling or soul is stimulated in psychology or surroundings that are capable to create emotional waves. This wave becomes a form of infinity, it is like a cycle of nature that move from one to another. Seems to exist like there’s a creation without emotion that tightly tied with a rope of angriness until it leave a scar. This artwork shows you awareness and effect by experiencing our inner soul but if you are searching for solution, it’s not there" -Afiq Zainal
69 A
Unbalance I
Afiq Zainal
Acrylic and spray paint on canvas
69 x 59 cm
2021
RM 1,200 / Reserved
69 B
Unbalance II
Afiq Zainal
Acrylic and spray paint on canvas
69 x 59 cm
2021
RM 1,200 / Available
"Love is an important thing in our lives.It is a feeling of completeness that comes from treating others as part of yourself. It is a unique gift for shaping us and our life. Love plays a vital role in our life, society and relations. I believe the world is a better place when there is love. It
encourages us to be our greatest self and it teaches us to be stronger and more optimistic. All in all we find meaning in life through love as we can always give without loving but you can never love without giving." -Paige Wanjiku Mbugua
70
Love Is Bigger Than Me
Paige Wanjiku Mbugua
Acrylic on canvas
76 x 105 cm
2021
RM 1,500 / Reserved
"Always trying to fix myself in a territory, I constantly play with contouring in my re-created and reconstructed landscape paintings as to define and re-define who I am and where I belong. In this artwork, I painted the contours of desert mountains and also the ocean from a bird eye’s/top view. Yet, from a side elevation view, the contours may seem like the layers of the desert mountains against the misty clouds in the air. With that, there are also repeated little women in hair buns swimming in the ocean or being afloat in the clouds. The play of different perspectives in this painting and the disorientation of the women figures are to represent the battle of being in limbo of one’s identity. Identity itself can be paradoxical. It can mean both sameness and distinctiveness. So this painting is questioning my/your/our quest for an identity." -Hana Zamri
71
Lost in Limbo
Hana Zamri
Acrylic on canvas
30 x 61 cm
2021
RM 1,200 / Reserved