PHASE 2
3 - 23 SEPTEMBER 2021
1 A
3 steps to nowhere
Long Thien Shih
Photo-Silkscreen
50cm X 65 cm
1971
Edition 10/20
RM 2,600 / Available
1B
Pisang Series
Long Thien Shih
Etching & Aquatint on Hahnemuhle 150gsm
32.5x24.5 cm
2019
Edition of 18
RM 1,200 / Reserved
2A
Kerbau Betina
Juhari Said
Etching & Aquatint on Hahnemuhle 300gsm
19.5 x 24.5 cm
2019
Edition of 20
RM 900 / Available
2B
Portrait
Juhari Said
Etching & Aquatint on Hahnemuhle 300gsm
20.5 x 26.5 cm
2019
Edition of 20
RM 1,000 / Reserved
“God created everything in nature perfectly. He fashioned each creature and gave it an essence, a structure which determines its life and from which it never deviates. He has built into it a propensity that never fails to move it in the direction of self-fulfilment.” -Al Quran
“This artwork is some of many ideas and inspirations that are translated into carbon based drawings. My idea is about humanity’s relationship (silaturrahim) where as early as the dawn of humans started to quarrel, and grow jealous, and argument just like in Qabil and Habil’s story. On this presents day, we are still having the same attitude, we meet each other and we conflict each other like in the previous eras such as during World War 1 and 2, Cold War, and until now between Palestine and Zionist.” -Ramlan Abdullah
3A
Still Standing
Ramlan Abdullah
Graphite pencil on paper
30cm x 14 cm
2021
RM3,000 / Available
3B
Shadow of Delight
Ramlan Abdullah
Graphite pencil on paper
20cm x 14 cm
2021
RM2,800 / Available
“The worker bee collecting pollen as shown in this piece is also a sly metaphor for sensual pleasures.” - Abdul Mansoor bin Ibrahim
4
“Pollen Bath & Nectar Collection”
Abdul Mansoor Ibrahim
End grain wood Engraving
27.3 x 21 cm
2015
RM1,400 / Available
5
Tari Rimba: Suasana Senja
Zainon Abdullah
Acrylic on canvas
42 x 42 cm
2021
RM1,800 / Available
6A
Next Generation
Rahman Mohamed
Lithography on paper
42 x 29 cm
2015
RM1,800 / Available
6B
Seed For the Future
Rahman Mohamed
Etching, drypoint and Aquatint
50 x 60 cm
2018
RM4,000 / Available
“Most of my inspiration for Urban Landscapes comes from how I feel. Feelings that have been evoked by memories, imaginations and experiences throughout my life. It’s the essence of the urbanscape that l want to create – an environment of order.
I strive to convey that sense of place that can take us somewhere we remember or haven’t been before, provoking us into new areas of thoughts and feelings. I spend a lot of time finding the right combinations and getting the right compositions – an intuitive exploration of visual language found in abstraction. Mostly all the colors within the paintings l have already worked out in my mind.
I choose to create abstract non – objective work because l find the creative process honest and satisfying.” - Alias Yussof
7A
Landscape Of The Mind
Alias Yussof
Acrylic, charcoal pencil on canvas
106 x 106 cm
2020
RM5,000 / Available
7B
Suburban West
Alias Yussof
Acrylic on canvas
121 x 121 cm
2017
RM5,000 / Available
8
Winter Tales II
Bayu Utomo Radjikin
Etching & aquatint on paper
14.5 x 30 cm
2006
Edition 13
RM2,800 / Available
9
69
Jamil Mat Isa
Water based dye on canvas
60 x 60 cm
2010
RM5,000 / Available
10
Tanpa Tajuk
Suddin Lappo
Tinta dan akrilik atas kanvas
48 x 48 cm
2021
RM3,500 / Available
11
Portrait of an Old Pal
Chan Kok Hooi
Acrylic and paintbrush hair on canvas, wooden frame
33 x 28 cm
2021
RM4,500 / Reserved
12
Bulan Dipagar Bintang
Samsudin Wahab
Etching & Aquatint on paper
47 x 55 cm
2021
Edition 3/12
RM2,400 / Reserved
“In the era of globalisation, those who have control over telecommunication technologies have the advantage. Media has great influence because it can shape the thinking of individuals and can influence a group of people so that it can change the ideological stance of the country. The various functions of the mass media have been fully utilized as the disseminator of information and knowledge, the driving force for change, instilling new values and becoming an educational element.” - Fadly Sabran
13
Sidang Hutan
Fadly Sabran
Digital Print on paper
30 x 30 cm
Edition of 5
2021
RM600 / Available
“Ini adalah ekspresi potret diri ketika ini”- Haslin Ismail
14
Into the Thick of It
Haslin Ismail
Indian Ink, graphite and white acrylic ink on mounted calico
19 x 19 cm
2021
RM700 / Available
"Sudah menjadi tugas dan kewajiban saya untuk ada di sini dan membantu mereka yang terluka," – Razan al Najjar
"Sacrifice merupakan karya berkenaan pengorbanan seorang jururawat sukarelawan Pales+n yang ditembak ma+ oleh tentera rejim Israel. Kema+an dan pengorbanan wanita bernama Razan al Najjar ini bukan hanya menerima duka di Pales+n sahaja malah turut juga dirasai seluruh dunia.” - Meor Saifullah
11
Sacrifice
Meor Saifullah Lulaed
Mixed Media: Acrylic, Charcoal, Spray Paint, Paper Collage, Transfer Image, Bitumin on Canvas
57 x 74.5cm
2021
RM2,200 / Available
16 A
Human Nature
Faizal Suhif
Etching & aquatint on 250gsm Arches paper
15 x 20 cm
2020
RM1,200 / Available
16 B
Heal the World..
Faizal Suhif
Etching & aquatint on 250gsm Arches paper
15 x 19 cm
2020
RM1,200 / Reserved
“Pelukis cuba menghubung-kait bentukkan ‘non-representational art’ yang tiada berjasad dari alam realiti dan tidak rupa yang jelas. Secara pengiraannya, pelukis mulai mahu mendalami ke daerah yang memaparkan kesan-kesan spontan dan tekstura yang jelas formalistik. Kecenderungan menyelami ke batasan yang jarang diteroka ini amat mengasyikkan. Ini amat berbeza sama sekali dengan amalan pelukis sebelum ini yang lebih gemar imajan berupa dan sekadar meniru dari pengamatan kasar; tapi seakan lupa bahawasanya matahati juga boleh memaparkan gambaran jiwa yang sungguh misteri.” - Farid Raihan
17
Kesan (Mark)
Farid Raihan
Acrylic on canvas
60.96 x 60.96 cm
2020
RM1,500 / Available
18
Saviour
Liu Cheng Hua
Acrylic on jute
165 x 123cm
2020
RM5,000 / Reserved
“Portrait great master artist adalah subject siri kerja seni saya sekitar tahun 2015 2016. Di antara mereka menjadi rujukan bagi artis Malaysia sebahagianya. Saya juga tidak terkecuali menjadikan artis barat sebagai rujukan. Antaranya Mark Rothko..Jackson Pollock.. mereka adalah nama besar dalam dunia seni catan dan pelopor esim abstract yang terawal dengan gaya mereka. Saya menggambar mereka bukan untuk mengingati tetapi sekadar mengenali dan saya mengkagumi kerja kerja seni mereka”-Aely Manaf
19 A
Mark Rothko
Aely Manaf
Mix media on canvas
99 x 152 cm
2016
RM3,900 / Available
19 B
Jackson Pollock
Aely Manaf
Mix media on canvas
99 x 152cm
2016
RM3,900 / Available
20
Separuh
Sabihis Pandi
Acrylic cut on canvas
46 x 46 cm
2021
RM1,200 / Available
21 A
Jantan
Fadhli Ariffin
Oil paint on canvas
61 x 61cm
2021
RM1,000 / Available
21 B
Betina
Fadhli Ariffin
Oil paint on canvas
61 x 61cm
2021
RM1,000 / Available
"Ketika manusia sudah lelah dengan situasi yang ada dan apa yang tinggal hanyalah kesabaran meskipun seringkali teruji setiap masa." - Issarezal Ismail
22
Wake Me Up When Its All Over #36
Issarezal Ismail
Acrylic on corrugated board
41 x 41 cm
2021
RM 1,000 / Available
“This artwork is about a figure who is an addict in his life. ‘Selfie’ is the latest lifestyle trend that involves the taking of one’s own picture using a smartphone. Social media is a platform where selfies are posted for everyone to see in order to attract attention to increase the rating of his or her followers and status in social media. ‘Selfie’ and the use of social media can create obsession which will cause mental illness or ‘mental disorder’. Apart from criticism and ridicule media social users the possibility of slander or the nature of self-pride. Excessive selfie disease can plunge a person into narcissistic illness which is to feel themselves special which needs to get the attention of many.
In this sculpture which is made out of recycled metal and found objects, we see the figure that points a gun in a self-portrait selfie style. Instead of our ‘selfie first’ that we do not realize, it's better to be vigilant with ‘safety first’ before harm strikes to ourselves. Think of past actions for future safety.” - Ali Bebit
23
“Hey… Selfie first!”
Ali Bebit
Metal and junk material
57 x 30 x 86 cm
2021
RM5,000 / Available
“Soul receives from soul that knowledge, therefore not by book nor from tongue. If knowledge of mysteries come after emptiness of mind, that is illumination of heart.“ - Jalaluddin Rumi
24
The man behind a vase
Ismail Awi
Oil on canvas
91 x 76 cm
2021
RM 3,800 / Available
25 A
Study for my skeleton series 2
Mohd Hairi Bin Yaakub
Mix media on paper
71 x 42cm
2006
RM1,500 / Available
25 B
Study for my skeleton series 6
Mohd Hairi Bin Yaakub
mix media on paper
51 x 42cm
2006
RM1,500 / Available
“Setiap hari kita akan didedahkan dengan jumlah kes harian dan angka baharu yang dak menentu dan tidak dapat mengenal pasti adakah angka tersebut meningkat atau menurun. Pengolahan karya buah dadu berbentuk kubus sebagai objek permainan digunakan untuk menghasilkan angka secara rawak dengan angka baharu iaitu 7,8,9 dan lain-lain>”- Husin Othman
26
Angka Baharu
Husin Othman
30.48 x 30.48cm
Acrylic, Galvanized on Canvas
2021
RM1,200 / Reserved
“I had a pet duck to grow up with when I was a kid. But as I moved on to different stages in life, it slowly disappeared from my vision. We often forget the good things, moments and people in life when we grow up. Easily buried by layers and layers of emotions. In the midst of painting for Mom's Lost Garden , it occurred to me that the little quacky used to be the garden's visitor too.”- Trixie Tan Lu Man
27 A
The Forgotten Quack
Trixie Tan Lu Man
80x 100cm
Oil on canvas
2021
RM3000 / Reserved
“Mom's garden; a little legacy which keeps me and her together. Every step in her garden, I feel the presence of her love though I can't see it anymore. Then I realise, this little lost space soon to be forgotten as time passes. No flowers or visitors, just memories.” - Trixie Tan Lu Man
27 B
The Lost Garden
Trixie Tan Lu Man
80 x 100cm
Oil on canvas
2021
RM3000 / Available
“As a sculptor, I often interact with space and how I want to position and create something that interacts with that space. Space should be observed not only at the two dimensional level but it also covers inside, outside, and between the existence of shapes, forms, line patterns and surroundings. This is because the artistic elements in the production of sculptures such as lines, spaces and surfaces is a reality that connects the sculpture with the environment itself. “Turning Cell” builds up from the idea inspired by DNA patterns in the human body. The pattern is visualized by arrangement of design made from acrylic sheet. It is combined with ready-made materials such as construction and engine parts. It is a symbol of human and technology having conflict, growing up and fighting together to prove and get a good life.
From a technical & formalistic view, this sculpture uses constructivism style which emphasizes repetition, movement and rhythm. I try to challenge myself to develop that artwork in which we can see the form from inside and outside by involving negative and positive space by using understanding of movement and pattern in this sculpture. These aspects give me satisfaction with my artwork. It also made me understand the meaning of beauty.”-Idrus Rani
28
Turning Cell
Idrus Rani
Acrylic sheet, Industrial Paint, Readymade Material.
90(H) X 30(W) X 30(L) cm
2017
RM1,400 / Available
“Life is full of challenges and disappointment. The rapid Dow of the waterfall is like a living water gushing into our heart and soul, bringing new hope to the present, and leaving failure behind. At its widest point, it is surging and plunging down the mountain endlessly, depicting an amazing blessing throughout the journey.”- Alex Liong
29 A
Amazing Fall
Alex Liong
Clay and mixed media on reinforced board
76 x 51 cm
2021
RM2,000 / Available
“Seeing Beyond means foreseeing things that happen outside the scope of predictability. Seeing Beyond the PRESENT indicates what is seen is temporary but what is unseen is eternal.Seeing Beyond the UNSEEN describes perceiving between the visible and invisible.”- Alex Liong
29 B
Seeing Beyond
Alex Liong
Clay and Mixed media
76 x 51 cm
2021
RM2,000 / Available
“I feel pleasure when I am surrounded by mountains and its beauty. It’s a realm of peace and tranquility. Every time I hike, the mountains reveal to me the nature of impermanence. Impermanence and the unknown fascinates me. Therefore, mountains become a source of my inspiration and hiking as a spiritual practice. I find it interesting. In my works, I draw in an explorative mode with my different memories and imaginations, trying to reconstruct the mountain. But perhaps the ideal mountain never exists, every mountain is just a self-reflection.” - Chong Yi Lin
30 A
Toad in the Hole
Chong Yi Lin
Pencil on paper
55 x 89 cm
2020
RM700 / Available
“Everything is impermanent- mountain, river, cauldron, bodies, feeling and perception. My painting depicts a landscape imagery set against a background of lustrous gold pigment to build a wondrous sense of space, which symbolizes the metaphor for state of mind. The imagery of little girls with no facial features symbolizes the meaning of everything. This is my interpretation of the sense of peace in a mental landscape as we cannot go out but we can always go in - to cope with the uncertainty in our world.”-Chong Yi Lin
30 B
Aggregate Of Perception
Chong Yi Lin
Ink, pencil and pigment on paper
81 x 115 cm
2020
RM2,800 / Available
“This piece is in direct response to what I see in how the nation is feeling right now.
Not the fear, not the anxiety, not the anger. But rising above all of that, against all odds, I see love, I see strength, and I see courage.
In our darkest hour, I believe we have the capacity to dig deep, and find the courage to hold on to our humanity. Now more than ever, we need to see ourselves only as a nation of humans. And none of us is safe unless we are all safe.
We will overcome.” - Yante Ismail
31 A
Always Courage
Yante Ismail
Oil and Acrylic on Canvas.
95cm x 95cm.
2021
RM1,200 / Available
“This piece is the second in a series of paintings that convey deep feelings of longing, of melancholia, and of a deep yearning for intimate and profound human connection.
This painting came about during prolonged periods of forced isolation and separation from human interaction due to the pandemic.
It captures that moment of the body awakening, when lips and skin remember the memory of a touch. But when, fingers reach, they graze naught but a yawning endless emptiness.” - Yante Ismail
31 B
Sorrow Finds Her II
Yante Ismail
Oil and Acrylic on Canvas.
76cm x 76cm.
2021
RM2,000 / Available
“Karya ini menceritakan tentang hubungan manusia, alam dengan Tuhan saling berinteraksi antara satu sama lain. Di dalam karya ini, saya meminjam motif batik segitiga sama dan pucuk rebung. Oleh itu, makna motif ini dapat dilihat dalam konteks Tauhid, menggambarkan sebagai mementikan hubungan dengan Allah (yang di atas) melalui ibadah. Hal ini demikian kerana, negara Malaysia telah menerima penyakit virus covid-19 lebih 1 tahun lebih. Pandemik ini memberi kesan negatif yang sangat besar dari segi ekonomi, sosial, dan politik. Perkara ini dapat menganggu kesihatan mental dan fizikal. Sebagai contoh, keluarga hilang punca pendapatan, perusahaan yang tidak persefahaman, teori konspirasi, dan banyak lagi. Oleh itu, dengan segala permasalahan ini, saya percaya pasti ada hikmah-Nya. Secara peribadi, saya sebagai seorang beragama Islam, perlulah berpikir untuk kembali kepada asas adalah perkara yang kita boleh buat untuk menghentikan kekeliruan permasalahan ini.” - Abdul Rahman
32 A
Aku memohon perlindungan Mu (1)
Abdul Rahman
Cat arkilik atas kanvas
60.9 x 60.9 cm
2021
RM 500 / Available
32 B
Aku memohon perlindungan Mu (2)
Abdul Rahman
Cat arkilik atas kanvas
60.9 x 60.9 cm
2021
RM500 / Reserved
33
Composition
Abie Mathia
Creamy White Ink on paper
21 x 29.7 cm
2021
RM 500 / Available
“ ‘Rhythm of The Society P’ is an artwork that is portraying the jumble up and tangled issues that we Malaysians are facing during these current times. Pandemic and Political instability has caused the entire nation’s people great repercussions, not just physical;y, but mentally as well. People are dying and the economy is suffering yet Society P is still hungry for power and is not even attempting to stand by the people to help face the problems they are having. The composition of the entire artwork is jumbled up just like a knot that can’t be untangled; when will the suffering end? No one knows.” - Simon Chow
34 A
Rhythm of The Society P
Simon Chow
Oil on canvas
61 x 61 cm
2021
RM1,000 / Reserved
“ ‘Messy Play’ box is an artwork that is portraying the messy and chaotic political situation in Malaysia during the pandemic period. Where politicians who are running the country are treating their job as though it is a game. But in reality every decision and move they make will affect the livelihood of the nation’s people.” - Simon Chow
34 B
Messy Play box
Simon Chow
Oil on canvas
30 x 40 cm
2021
RM450 / Reserved
“ ‘India in Blue’ is a series of photographs captured during my journey to India in 2019. After seeing the wonderful sights of India, I have been inspired to capture every moment that has caught my interest along the way. Cyanotype was chosen for the medium for its archival properties as if I am an archivist recording moments in history.” - Danial bin Fuad
35
India in Blue: Chalal, Aug 2019
Danial bin Fuad
Cyanotype on Watercolour Paper
68 x 50 cm
2021
Edition of 5 + 2AP
RM 800 per edition / Available
“Sehebat mana rintangan, halangan dan larangan. Kita sentiasa mencuba untuk bersatu. Ikan yang berenang menunjukkan dua insan yang sedang berenang kearah satu sama lain, tetapi di dalam lautan yang bergeloranyang menunjukkan rintangan yang akan dihadapi. “ - Adam Khalid
36 A
Bergelora
Adam Khalid
Pen dan Kertas
64 cm x 51 cm
2021
RM 500 / Reserved
“Karya menunjukkan persediaan seorang wanita untuk bergelar seorang isteri. Pernikahan ini mengikut tradisi orang melayu. Karya ini menggunakan semi abstract dan mengenegahkan seni moden.” - Adam Khalid
36 B
Nikah
Adam Khalid
Pen dan Kertas
59 x 59 cm
2021
RM500 / Available
“The effect of the dark tones filtering throughout the strands of burnt sienna captivates the eye. The setting depends entirely on your imagination to behold the shades of canyon.”- Adeline Shatsala
37 A
Shades of Canyon
Adeline Shatsala
Acrylics and Mix Media
30 x 30 cm
2021
RM240 / Available
"The perfect balance of wet soil and landscape has the vibrancy of emerging through weather. Exposing the beauty of earth and capturing the enigmatic aura. It redefines the earth we live in with varying depths of colour.”- Adeline Shatsala
37 B
Water’s Edge
Adeline Shatsala
Acrylics and Mix media
40cm x 40cm
2020
RM 320 / Reserved
38 A
Kerjasama
Afiq Sebari
Acrylic on canvas
31 x 122 cm
2021
RM600 / Available
‘Wang bukanlah segala-galanya, tetapi segala-galanya memerlukan wang.’
“Ini merupakan suatu ungkapan yang sering kita dengar berkaitan dengan wang. Wang juga selalunya dikaitkan dengan perkara-perkara negatif seperti jenayah, rasuah, scam dan sebagainya. Walau bagaimanapun,keperluan wang dalam kehidupan sekarang sangat penting dan masyarakat perlu bergantung kepada wang untuk meneruskan kehidupan. Oleh hal yang demikian, wang juga banyak membawa kepada perkara-perkara yang positif. Ini menunjukkan wang bukanlah suatu yang negatif tetapi penyalahgunaan wang sebenarnya akan membawa kepada persepsi yang negatif. Karya berikut berjudul ‘Kerjasama’ dan ‘Kerjasama II’ merupakan respon saya terhadap sikap masyarakat kita yang saling membantu dengan menghulurkan bantuan dan sumbangan kepada mereka yang terjejas serta hilang pendapatan akibat pandemik yang melanda negara. Hal ini menunjukkan sikap dan semangat kerjasama yang baik di antara masyarakat dalam membendung penularan wabak Covid-19.” - Afiq Sebari
38 B
Kerjasama
Afiq Sebari
Acrylic on canvas
61 x 61cm
2021
RM600 / Available
I am often intrigued by the language of the body. The unspoken words that show so much, but say so little. It takes different movements and expressions depending on the state of mind. What started as normal observations evolved into self-reflection of my own personal struggle. Through figurative form of art, I get to capture my inner tussle and project it on canvas as a self-reminder that; this too shall pass.” - Amri Ibrahim
39 A
My Subconscious Fear I
Amri Ibrahim
Oil paint on Canvas
92 x 60 cm
2021
RM1,900 / Available
I am often intrigued by the language of the body. The unspoken words that show so much, but say so little. It takes different movements and expressions depending on the state of mind. What started as normal observations evolved into self-reflection of my own personal struggle. Through figurative form of art, I get to capture my inner tussle and project it on canvas as a self-reminder that; this too shall pass.” - Amri Ibrahim
39 B
My Subconscious Fear II
Amri Ibrahim
Oil paint on Canvas
92 x 61 cm
2021
RM1,900 / Available
“Baru- baru ini kecoh seketika keadaan dimana perkataan #koyak viral dimedia sosial di seluruh dunia kerana serangan tentera Israel keatas rakyat Palestin di Gaza. Rakyat Malaysia menzahirkan sokongan kepada Palestin dengan menyerang media sosial berkaitan Israel dengan membawa hastag tersebut.
Saya mengambil tema koyak tersebut sebagai medium menzahirkan sokongan dengan cara berkarya, Cebisan cebisan kain dan jahitan kasar diaplikasikan untuk mewujudkan keadaan bagaimana koyak itu dizahirkan. Secara asasnya, imej utama karya saya ialah berbentuk bendera Israel yang telah diolah dimana bahagian bintang tengah bendera tersebut telah ditutup dengan jahitan- jahitan kasar untuk menzahirkan maksud yang ingin di sampaikan. Penggunaan warna biru, putih adalah berdasarkan warna utama bendera tersebut. Kolaj jahitan di tindan- tindan adalah supaya kesan dramatik dapat ditimbulkan.”- Amrie Zakaria
40
Is Real Terrorist
Amrie Zakaria
Kain Perca, Benang Kait diatas kanvas
19.5 x 27.5 cm
2021
RM400 / Available
“Didalam siri air terjun ini terdapat unsur-unsur air, batu, fauna. Dilengkapi dengan bunyi angin, terjunan air dan burung berkicauan. Ia indah dalam banyak bentuk semulajadi, dari riak lembut hingga deru air sungai yang nyaman, lopak yang malas, air terjun yang meraung atau kocakkan yang damai. Pengkarya tertarik kepadanya, bermain dengannya, di dalamnya atau di atasnya, dan merenungkannya, untuk menghargai keindahannya. Tetap, tetapi terus berubah, ia adalah sumber dan simbol pembaharuan. Tempat di tepi air yang kita namakan sungai dan air terjun juga merupakan pentas untuk ak"vi" manusia. Ke"ka di sana, pengkarya menyaksikan banyak drama kecil, serpihan drama dan komedi yang dilakonkan oleh watak-watak dalam kostum bermonokrom, dalam pencahayaan yang mungkin drama"s, terang dan ceria, atau lembut dan halus. Dalam lukisan pengkarya, pengkarya berhasrat untuk merakam pelbagai adegan, potongan-potongan ak"vi" drama"k yang akan diisi dari pengalaman pengkarya sendiri, dengan tafsiran pengkarya sendiri. Lukisan didalam siri ini berdasarkan gambaran sebenar yang dirakamkan oleh pengkarya sendiri ke"ka berak"vi" luar, mendaki dan berkhemah. Se"ap udara dalam siri ini dilukis bersama air dalam beberapa bentuk. Semasa pengkarya pergi mencari sesuatu yang can"k di alam untuk memberi inspirasi kepada pengkarya, ternyata se"ap ciptaan dialam itu segala sesuatunya sangat can"k dalam kelasnya yang tersendiri.” - Azmi Amran
41 A
Liuk Geser
Azmi Amran
Media campuran atas kanvas
91.44 x 71.12 cm
2021
RM900 / Available
41 B
Mengolun Sui
Azmi Amran
Media campuran atas kanvas
91.44 x 71.12 cm
2021
RM 900 / Available
“Born as a Gen Z, Choong Kah Mun’s work is greatly influenced by the toxic positivity as seen on social media which is saturated with influencers posts about good vibes. She believes the modern generation has steadily absorbed such rhetoric as a recipe for never really developing or knowing who we are. Rather than experiencing an emotion and getting through a problem at your own pace, toxic positivity has become symptomatic of a carry-on culture which slowly prevents people from working through their issue one at a time. This contributes to burnout at a later time, where stress and depression are at an all-time high.” - Choong Kah Mun
42 A
Ethereal Contentment #1
Choong Kah Mun
Oil on Canvas
70 x 70cm
2021
RM1000 / Reserved
“He optimistically believes he has a fruitful future ahead of him. He vigorously dreams about the moment of his fulfilled fantasy. There are no real measures and commitment. Everything is all according to the non-existent scheme and positive vibes.” - Choong Kah Mun
42 B
Ethereal Contentment #2
Choong Kah Mun
Oil on Canvas
70 x 70cm
2021
RM1000 / Reserved
“This painting was inspired by a person with mental health issues. Bipolar disorder is a brain disorder that causes changes in a person's mood, energy, and ability to function. People with bipolar disorder experience intense emotional states that typically occur during distinct periods of days to weeks, called mood episodes. So a dark colour, which is black, represents the darkest side of emotion, while blue represents calmness, and white represents positive energy.” - Ejan Ahmad
43 A
Bipolar
Ejan Ahmad
100 x 100 cm
Acrylic on canvas
2020
RM3,500 / Available
“This painting is inspired by the beautiful Sahara desert which is the world's largest hot desert and the third largest desert behind Antarctica and the Arctic. Located in North Africa, the beauty and tranquillity of the Sahara is unsurpassed, and the scale and sight of a clear 360° horizon is awesome. The landscape changes constantly and is anything but bare and barren, with high dunes, low dunes, wells and dry oases. So I try to portray the beauty of the Sahara desert in minimalist-art, and it is also very calm and shooting to the eyes. I’m using a variety of acrylic medium and modeling paste to give a little bit of texture.” - Ejan Ahmad
43 B
Sahara
Ejan Ahmad
Acrylic, modeling paste and oil pastel on canvas
101 x 76 cm
2021
RM2,000 / Available
“Since a young age, I have had an interest in drawing humans; charcoal and oil paints remain to be my favourite choice of medium. My inspiration comes from observations of myself and the people around me - their behaviors, movements and physical actions. Observing human nature and their response to circumstances in our society, some of my works are constructed from my childhood memories. I prefer to paint randomly to allow chances to emerge in my canvases instead of working according to a pre-planned composition rigidly. I use charcoal to draw on both primed and unprimed canvas. Charcoal, oil paint and pigment pens are my favorite tools in my works. I use charcoal to create shadows and lines on canvas to present a different effect to bring out the tension that I want from the work.” - Fong Jia Lok
44
Connect
Fong Jia Lok
Ink on Canvas
44 x 55.2 cm
2021
RM1,500 / Available
“I love to eat pineapple; I manifest the tough looks of the fruit, the spiky skin, the thorny crown and leaves to portray the perseverance in the searching for hope in one's life. The leaves are seen moving freely depicting a flow of energy” - Gary Lim
45 A
Perseverance
Gary Lim
Acrylic on board
50 x 50 cm
(73 x 73cm with frame)
2018
RM1,500 / Available
45 B
Golden Harvest
Gary Lim
Acrylic on board
50 x 50 cm
(73 x 73cm with frame)
2018
RM1,500 / Available
“It was a typical landscape subconsciously created by me. One day at the studio, I found my friend scraping at his canvas in an attempt to create some wall effects on his painting. His paintings were very dark, which reminded me of the struggles he faced while he was in the construction industry a long time ago. The landscape I made was to remind him about the beauty of life, and to affirm to him that the darkness of life will end if you were in the right place. I approached this artwork with the scraping technique and colour palette similar to his own work, but with a clear result differing from the darkness of his painting.”- Hamizan Yusof
46
Surface Preparation
Hamizan Yusof
32 x 62cm
Acrylic On Canvas
2021
RM 750 / Reserved
“This artwork is entitled ‘Optimism’. The subject that I focus on is the determination of the nation against COVID-19. The nation in its state of resilience, is fighting to mitigate the spread of COVID-19 as well as the impact of the pandemic. I believe that being optimistic is the key to a brighter future; like the saying goes, “If you stay positive, good things will be drawn to you.”- Gina Chuah
47 A
Optimism
Gina Chuah
Acrylic on canvas
45.72 x 45.72 cm
2020
RM 900 / Reserved
“ It is undeniable that we are facing difficulties during this pandemic. However, one of the positive results of the pandemic is that endangered sea turtles are enjoying empty beaches and suffering fewer deaths and injuries. In fact, hatchlings and sea turtles are found in most beaches as the pandemic clears tourists from beaches.”- Gina Chuah
47 B
The Good in the Bad
Gina Chuah
Acrylic and marker on canvas
50.8 x 50.8 cm
2021
RM 950 / Reserved
“Display bravery & toughness like a tiger & roar loudly while shielding feelings, refuse to show weaknesses as people tend to take advantage of. But deep inside, they are soft, playful and kinder. Tiger by the look, kitty by the heart” - Ichie Imran
48 A
Tough Boy
Ichie Imran
Fluorescent Acrylic on Paper
59 x 42cm
2021
RM1,000 / Available
“The tail of the conversation... It’s awkward to begin with, especially when we meet someone new we know nothing about. We keep on talking, trying to connect one story to another, sometimes it comes to a dead end where we almost fall into the black hole - awkward silence.But we keep it going, make it interesting to create a subtle conversation and the ideas keep popping.”- Ichie Imran
48 B
Conversation
Ichie Imran
Fluorescent Acrylic on Paper
59 x 42cm
2021
RM1,000 / Available
“ 這個作品表達的是一隻蝸牛背著一盆花卉。
This artwork expresses a snail carrying a pot of flowers on its back.” - Jason Teo
49
蝸牛與花 Snail and flowers
Jason Teo Jia Hao
Oil on plywood
51 x 38 cm
2021
RM1,200 / Available
"Ketika sedang asyik ‘scroll’ twitter, saya ternampak satu video ini dimana, sekumpulan ‘frontliners’ berlari dan berkumpul di satu tempat dan kesemuanya menari seolah olah sedang meraikan sesuatu walhal Ketika itu kita semua tahu keadaan semasa kes covid 19 yang semakin membimbangkan dan semakin hari semakin tinggi kes baru dan juga kematian.Rupanya tujuan mereka adalah sekadar untuk menghiburkan mereka mereka yang positif covid 19 supaya ceria dan tidak ‘mental down’. Karya ini sebagai satu apresiasi kepada kesemua frontliners kita yang bertungkus lumus, berkerah tenaga dan berkorban masa untuk menjalankan tanggungjawab sebagai barisan hadapan dalam merawat pesakit pesakit covid-19.” - Kamal Sazali
50 A
Biarkan Mereka Rai Walau Sementara
Kamal Sazali
Poster Colour on Canvas
30 x 30 cm
2021
RM500 / Available
“Mereka sudah penat sama sebagaimana kita.Kerana sesetengah pihak yang terlalu rakus mengejar kuasa atas kepentingan dan agenda tersendiri, kita dapat melihat, pisang berbuah dua kali. Tapi Harapan dak pernah pudar untuk melihat sinar yang dulu malap kini mulai terang walau masih dihujung.” - Kamal Sazali
50 B
Pisang 2 Kali
Kamal Sazali
Emulsion Paint, Colour Pencil and Acrylic on Canvas
30 X 30 cm
2021
RM500 / Available
“The finding of my identity as an artist begins to fade out along with the warfare between myself and the ‘corrupt surfaces’ as I am being held captive by my carrier. My definition of corrupt is having “ill mannered” towards everything in the area. The system inside which was corrupted from the very beginning included the development of the workers themselves. Sometimes we are gambling our luck on getting good projects which bring a good salary along with a good management. This painting depicts the portrait of a labour worker with the lack of safety on-site to portray the unprofessional management. It is unfortunate that I am bound to an unlawful situation that is very harmful to society, just to contribute to the capital(company). The signage at the bottom of the artwork was created to appear as a map with some sort of encrypted code.” - Muadz Rahim
51
Misexpectation
Muadz Rahim
Acrylic and Collage on Canvas
45 X 80cm
2021
RM2,000 / Available
“ The white crane is a bird of auspiciousness; it’s a symbol of longevity, cleanliness and bravery. With his graceful posture and elegant dance, coupled with the dance clothes he was born with, he looks more like a dancer under the spotlight.
Baihe has danced on the stage of life all his life, that is life and survival.
Her perfection is not a decathlon, but she will do her best to achieve the ultimate.
She defended the dignity of life with her attitude.” - Lem Tee Sin
52
Posture
Lem Tee Sin
Acrylic on Canvas (Liquitex Heavy Body)
60 X 60 cm
2021
RM4,888 / Available
“My work has been greatly influenced by her interest in reading. She interprets and relates the emotion from reading into her surrounding; daily life events that capture her interest. Although there are differences between individual projects, they are produced with the common principle. Generally each project consists of multiple works,with specific themes in mind.
These two plein air paintings she did whilst she was in New Zealand were painted from her love for nature.” - Lim Yong Wei
53 A
Autumn
Lim Yong Wei
Oil and leaf on Canvas
30 x 30 cm
2018
RM 600 / Available
53 B
Tomahawk Beach
Lim Yong Wei
Oil on Canvas
30 x 22 cm
2018
RM 500 / Available
“ ‘Semangat Unggas #1’ dan ‘Semangat Benih #3’, adalah lanjutan dari siri "Pohon". Ia membicarakan tentang kebangkitan semangat-semangat yang menghuni dari sebuah pohon yang telah mati ditebang dalam bentuk dan dimensi yang baru. Dengan gabungan unsur-unsur, motif-motif tumbuhan dan haiwan.” - Mat Ramli Mansor
54 A
Semangat Unggas #1
Mat Ramli Mansor
Kayu nangka dan angsana
101 x 50 x 65 cm
2020
RM2,000 / Available
54 B
Semangat Benih #3
Mat Ramli Mansor
Angsana
41 x 19 x 20cm
2020
RM2,000 / Available
“The artwork is about woodworking and fabrication. Inspired by the game of chess and football, this work is based on my expression of my self-conflict within myself. There are two sides made apparent in my work; comparable to a scene of war, this represents my internal battle between having to stay true to myself, or give in to the influence of external opinions. I utilise the chess board characters and arrange them into a kind of formation on the football field. The metaphor behind the work is ‘self-establishment’ in order to make a decision where it is considered as an artist-ego. The execution of this artwork required much strategizing; one could say it is comparable to a football match, where there is a need to ‘plan’ or strategise to achieve the main objective.” - Mohd Fazreen
55
The Key Player
Mohamad Fazreen
Variable Wood, Industrial Paint
92 x 92 x 87 cm
2021
RM 2,500 / Available
“Kedua-dua karya berkaitan idea yang sama.Pelukis meneroka ruang dan peluang melalui gaya lukisan ‘automatism’ yang sinonim dengan pelukis aliran Surelism.Lakaran dan lukisan digaris secara spontan (minda bawah sedar) lalu dikawal semula oleh minda sedar mengikut situasi,mood,pemikiran dan pengalaman pelukis.Setelah siap karya diberi tajuk mengikut selera,idea,peristiwa,nilai estetik, dan interpetasi pelukis.Mungkin juga kedua-dua karya ini kelihatan berbeza rupa,makna,dan tajuk mengikut selera,pemikiran dan pengalaman ‘audience' masing- masing.” - Mohamad Firdaus bin Ismail
56 A
Lelaki Ultra
Mohamad Firdaus Bin Ismail
Ink on acid free watercolour paper
42 x 60 CM
2021
RM 700 / Available
56 B
Line Drawing
Mohamad Firdaus Bin Ismail
Ink on acid free watercolour paper
42 x 60 CM
2021
RM 700 / Available
“Apabila mengenangkan zaman kanak-kanak, pastinya kita akan tersenyum sendiri. Kisah lucu menggamit memori. Bermain dan meneroka tanpa sempadan, tanpa perlu memikirkan hal orang lain, negara, mahupun dunia. Cukuplah dengan ‘dunia ciptaan sendiri’ yang penuh dengan keseronokan dan kegembiraan. ‘Mesin Masa’ adalah karya untuk mengimbas memori dulu. Penggunaan warna dan ekspresi wajah yang menghiburkan semasa zaman kanak-kanak.” - Muhammad Hazizi bin Azmi
57 A
Mesin Masa
Muhammad Hazizi bin Azmi
Akrilik dan arang diatas kanvas
61cm x 92cm
2021
RM700 / Reserved
“Zaman remaja atau meningkat dewasa adalah zaman yang sangat berat cabarannya berbanding kanak-kanak. Pelbagai perasaan dan rasa yang dilalui ketika remaja atau dewasa. Perasaan malas menyelebungi diri untuk berhadapan dengan masyarakat yang pelbagai ragam.” - Muhammad Hazizi bin Azmi
57 B
Malas
Muhammad Hazizi bin Azmi
Akrilik di atas kanvas
92cm x 122cm
2021
RM950 / Available
“The inspiration behind this painting derives from my experience as an archeology excavator years ago. Digging up soil as deep as three to four feet to get the tangible findings has taught me a thing or two about our homeland and life in general. One of them is that there is so much beauty that lies beneath our land. It has many undiscovered treasures, artifacts, and hidden gems that are yet to be found. On the other hand, in the perspective of life, often we have to go through rough and tough roads to see what life will teach us. Say we want to go to beautiful places such as hidden waterfalls, we have to hike for hours, pass through bushes and trees in the forest to reach that place. That experience is what I am trying to represent in my Tanah Air series.
Tanah Air is a significant term that has a deeper meaning in context if we were to discuss it in depth. I personally think “Tanah Air ku” feels closer to home. These two words simply give a warmth feeling and a strong connection between a person and his homeland, compared to the word Negara (Country). Tanah (Land) and Air (Water) are the elements that complement one another, contributing to the balance of nature. While land symbolizes power and legacy for its endless resources, water represents life. Its wave, reflection, and the sound it makes will sooth you, offering you a sense of tranquility.
If you look at my painting you will see a piece of magical landscape that has a beautiful calming blue lake, surrounded by lush, mysterious land of flowers, almost captivating, hidden by the tree branches. Their vibrant colour gives an attractive impact, but are covered with old, fragile and decayed tree branches, initiating a sense of mystery, a peek into the hidden world of Tanah Air’s nature. This visual depiction of my Tanah Air is a continuation of my exploration on destructive landscape series, evoking a glimpse of hope for our country to continuously grow and be known for its admirable history.” - Muhd Badrulzzaman
58 A
Lopak Air di Dalam Kebun, I
Muhd Badrulzzaman
Siri - Tanah Air
Oil Paint , Bitumen on Canvas
60.96 x 60.96cm
2021
RM 850 / Reserved
58 B
Lopak Air di Dalam Kebun , II
Muhd Badrulzzaman
Oil Paint , Bitumen on Canvas
60.96 x 60.96cm
2021
RM 850 / Reserved
“The global outbreak of COVID-19 has infected millions of people and resulted in the loss of over 300,000 lives as of this writing. In addition, the spread of coronavirus infection has also changed the pattern of human life as well as slowed economic growth so drastically. The random particle on this drawing reflects the microdroplets of the virus that are drifting through the air. These microdroplets can be generated when someone sneezes, coughs and talks loudly.” - Noor Zahran
59 A
Contagious
Noor Zahran
Ink on paper
59 x 59cm
2021
RM 649 / Reserved
“The impact of globalisation does not favour and is unsuitable for Malaysian culture and tradition. The entry of western cultures has greatly threatened the position of tradition and identity in our country. Youths start to lose their own identity and culture of their own races and are easily influenced by the negative culture. It is believed youths liked to imitate and quickly affected by something that is considered attractive or fun. The dispersion effect on this drawing reflects the values and cultures that increasingly eroded over time.” - Noor Zahran
59 B
Dispersion of United
Noor Zahran
Ink on paper
83 x116 cm
2020
RM 1,999 / Available
“Everything that has made a visual appearance to our eyes marks an existence. It occupies a space no matter what form it arrives as, whether a pebble from the stream we grasp in our palm or the water that flows through our feet or the peaks we witness before us, they mark their arrival into this physical world.Faith is a personal decision and that grasping it tightly is essential to help one achieve the highest peaks in life and by doing so, we absorb the most positive energy provided from the above.” - Mark Lee
60
The Rising (Series)- Faith
Mark Lee
Acrylic and Oil on canvas
121.92 x 121.92 cm
2021
RM5,000 / Available
“Back to my hometown,
a place known as Kuala Penyu,
There's nothing much there,
but its beauty is always true,
In dawn or when the sun will set,
The shores bring peace that you’ll never forget,
A scenery that you long to be,
To find yourself in serenity.” - Nur Ahmad Syahfie Bin Jasni
61
Self Reflection
Nur Ahmad Syahfie Bin Jasni
Acrylic on Canvas
60 x 60 cm
2021
RM 2000 / Available
“The artwork is about a group of animals at the top of the food chain, where no other predator can get to. They always dominate an area with their power; but every power has a weakness and it is impossible to return. The limitation to a predator fangs shows how with every power there will be a downfall that applies. Relatable examples are like the power of kings (or people of power nowadays) who have lost their throne or reign. It is impossible to regain their dignity in that state, especially when it has to do with something that has been determined (laws, decisions and so on) and cannot be changed anymore” - Raden Hisbullah
63
If you were there, Beware
Raden Hisbullah
Acrylic & Chinese Ink
152.4 x 121.92 cm
2021
RM1,500 / Available
“Lukisan The Black (Part 1) diinspirasikan daripada salah seorang pelukis terkenal dari Amerika Syarikat iaitu Jean Michel Basquiat. Beliau dikenali dengan karya lukisannya yang mempunyai corak perasaan yang kuat. Basquiat biasanya menggunakan gaya graffiti untuk menghasilkan karyanya tetapi bukan itu sahaja, beliau juga akan menggunakan medium-medium lain dalam penghasilan karya. Seperti The Black (Part 1) ini, saya juga telah menggunakan gaya ala street art untuk menghasilkan warna dan tekstur yang kuat untuk menampakkan hasil yang jelas. The Black (Part 1) ini menceritakan tentang sebuah realiti yang banyak berlaku di era pada masa kini yang penuh dengan cabaran terutamanya yang sedang berlaku di negara-negara luar. Pandemik ini juga telah memberi impak yang besar kepada kondisi di dalam dunia dan banyak perkara buruk telah berlaku terutamanya pada gaya kehidupan masyarakat di era ini seperti norma baharu, kemerosotan ekonomi, kemelut politik, kesihatan mental, hubungan sesama manusia dan sebagainya.” - Natasha Haneem
62
The Black (Part 1)
Natasha Haneem Bt Abdul Samat
Mixed Media
30.5 x 45.8 cm
RM800 / Available
“Here is a lady in green representing nature, who gives hope and promise that not everything is lost. Adorned with yellow Lily in her curls, her flower attracts the rainbow coloured hummingbird representing the free soul that brings joy even with its tiny size. Each one of them has unique characteristics. The artist is trying to convey how these 3 are attracted and compliment each other creating a visual harmony” - Sahana Narayana
64 A
Humming curls
Sahana Narayana
Acrylic on canvas
61 x 61 cm
2021
RM1,400 / Reserved
“Here is a lady with a strong character who proudly wears her rich Malaysian culture, heritage and heart on her sleeve . Artist has colored her blue to represent her loyalty and love for her land. Adorning a stunning headpiece of scarlet hued celebratory hibiscuses brings out the elegance and positivity .With delicate jewellery and Malay Kebya costume, her blue eyes shine with the calmness of summer sky and sea.” - Sahana Narayana
Artist took inspiration from Frida Khalo.
64 B
Cerulean and scarlet
Sahana Narayana
Acrylic on canvas
75 cm x 75cm
2021
RM3,500 / Available
“Both of these works are sets of early experimental work based on expressionism portraits.” - Sanker Ganesh
65 A
Man In Pursuit
Sanker Ganesh
Acrylic on canvas
60 x 55 cm
2020
RM1,200 / Available
65 B
Woman In Pursuit
Sanker Ganesh
Acrylic on canvas
60 x 60 cm
2020
RM1,200 / Available
“My subject matter revolves largely on tropical plants. I like their huge arrays of genus variety which in turn covers endless possibilities in terms of exploration of inspiration and composition. My exposure to myriads of greens began at home in my parents' gardens as a sort of serious hobby. Not blessed with the same green fingers, I decided to paint my plants instead either by using watercolour, acrylic, dry media or digitally.” - Shazlin Jalil
66 A
The Painted Garden • Pink, Red and Greens
Shazlin Jalil
Acrylic on Canvas
80 x 60 cm
2021
RM885 / Reserved
66 B
The Painted Garden • Caladiums
Shazlin Jalil
Acrylic on Canvas
50 x 50 cm
2021
RM585 / Reserved
“Little did we know, beneath the cold hard ground, they were all preparing for rebirth” - Sharini Yogi
67 A
HOLI Series : Sagacity
Sharini Yogi
Acrylic on canvas
30 x 30 cm
2021
RM650 / Available
67 B
HOLI Series: Haven
Sharini Yogi
Acrylic on canvas
30 x 30 cm
2021
RM650 / Available
"Difficulties of maintaining perfection while trying to live in a balance." - Soon Yong Chow
68 A
Balanced
Soon Yong Chow
Pastel on Cardboard
75 x 50 cm
2018
RM850 / Available
“Lucky to have a stunning sanctuary, but at the cost of bearing the stress of carrying it.” - Soon Yong Chow
68 B
Role of A Lifetime
Soon Yong Chow
Colour Pencil on Wood Sheet
28 x 19 cm
2018
RM480 / Available
“The nautilus embodies this evolutionary journey taken by human beings encapsulating both beauty and growth. The shell of the nautilus is incredibly chambered to show the physical growth of the cephalopod much like the stages of a human life. While the nautilus moves on from one chamber to another, humans go through the path of life, at most times, from one place to another, not wanting to look back or dwell on the past. The nautilus learns to live with its shell although it’s not used in its entirety. It’s there to help it float and at the same time creates its effervescent beauty. Humans have always endured and lived with their past. This ability to travel through its inner chambers of its shell shows how the nautilus is able to navigate and move through its period of growth much akin to the way humans move through the various windows of life.” - Eugene Nandakumar
69
Breaking Through
Eugene Nandakumar
Mixed media on canvas
150 x 120 cm
2021
RM4,850 / Available
Karya ini adalah simbol kepada individu yang berpewatakan “kaki kipas” dimana secara umumnya kaki kipas ini bermaksud individu yang suka mengampu majikan atau orang atasan untuk mendapatkan sesuatu. Perkara ini berlaku dalam sistem pentadbiran tidak kira lah institusi besar ataupun sekecil-kecil organisasi. Nama lain bagi kaki kipas adalah kaki ampu dan kaki bodek. Sedar tak sedar kita sendiri adalah kaki kipas dalam mendapatkan sesuatu yang kita nak. Tapi itulah kita ini manusia penuh ego dan kuat dalam menafikan sedikit dari kenyataan hidup." - Syazana Zairuddin
70
"Potret"
Syazana Zairuddin
Arang atas kanvas
30 x 40 cm
2021
RM500 / Available
‘Nostalgia is a longing for the spaces of time that had passed in vain ’ – Andrei Tarkorvsky
“ ‘Nostalgia’ is a long term series which started in 2007 and was completed in 2011. The word ‘nostalgia’ refers to a sense of longing for a time in the past, requiring me to document the feelings of timelessness in things associated with my living environment. Jean Baudrilard says,“My pictures are not thematic, they are not very sophisticated and technical photographs.” My works reflect his sentiments closely as most of the pictures are snapshots of my surroundings taken in different places in different years.They reveal my views, feelings, and thoughts around the subject matter. The ‘Nostalgia’ series aims to arouse senses of Romanticism, narratives, and urban documentary all at once. All the pictures were taken in 120 colour film format with an old Yashica Mat-124G camera within a malfunctioned lens” - Tan Chee Hon
71 A
#6_Nostalgia!series
Tan Chee Hon
Giclée print on archival Sihl paper
100 x 100 cm
2007
RM3,000 / Available
71 B
#10_Nostalgia!series
Tan Chee Hon
Giclée print on archival Sihl paper
100 x 100 cm
2007
RM3,000 / Available
“The ‘Cerita Lockdown’ series was inspired by my son, Amir Noah. Born in late 2018, he is 3 years old this year. It is a hard time during this period. It is not only challenging to us, the adults but to children as well. This is something that I personally observe. During the first lockdown, we were unable to leave our house or go anywhere. I remember seeing my son’s excitement, donning his shoes hoping to get to go out, but I was forced to break his heart saying: We can't... We can't go out... We can't go to the playground. When the lockdown was lifted and we got to 'rentas negeri', it was exciting. Noah was so happy to be able to go to the playground and to travel balik kampung. When the lockdown 2.0 happened about two months back, it was heart-breaking to hear Noah’s pleas to go out and play. The subjects in this series are Noah's. They are a representation of children that can't be children during this troubling time.” - Tuk Kura
72 A
Cerita Lockdown: Teddy
Tuk Kura
Acrylic and Colour Pencil on Canvas
35 x 28 cm
2021
RM 550 / Available
72 B
Cerita Lockdown: KAWS
Tuk Kura
Acrylic on Canvas
35 x 28 cm
2021
RM 550 / Available
“As introverts process information,they carefully tend to their internal thoughts and feelings at the same time. This artwork expresses an introvert diving deep in her inner world, the place where her thoughts come out and study something that happened on that day. Her introspection is comparable to an internal debate. Thoughts come out and some of it is rejected until she feels balanced and convinced.” -Yong Hui Lynn
73 A
Hold on to me
Wong Hui Lynn
Oil painting on wood
80cm x 120cm
2019
RM 1,800 / Available
“This artwork depicts an expression of an introverted girl in the company of her friends at the mamak shops after a working day. She feels drained from the hustle and bustle of work, but she doesn’t know how to decline her friend's invitation without feeling overwhelmed with guilt. There is a striking difference in the character of the girl and the atmosphere of the environment, as she stares off into space as though she is in a totally different world. The people around her are lively and energetic, but while she is physically there she does not seem mentally present. The mamak shop is a place where many Malaysians often gather, socialise, and unwind; for many people, it is a place to recharge and relax with friends and colleagues after a long day. However, introverts tend to value time alone after a long day. They don’t really appreciate too much stimulation when they feel drained out.” - Wong Hui Lynn
73 B
12A.M
Wong Hui Lynn
Oil painting on wood
73 x 115cm
2019
RM 1,800 / Available
“Setiap apa yang kita lakukan pasti ada sebab, walaupun kita lakukan perkara itu singkat menyebabkan banyak kesan pada diri kita. Langgar merujuk apa sahaja yang kita buat tanpa berfikir apa-apa pun. Longgar merujuk apa yang kita lakukan perlu ada ruang untuk berfikir walaupun masa singkat. Dalam suasana indah ataupun sebaliknya pasti ada titik kesan dalam diri kita yang sering kita ingat apa yang kita lakukan dalam kehidupan.” - Amirul Roslan
74 A
Langgar Longgar
Amirul Roslan
Acrylic on canvas
76 x 104 cm
2021
RM 1,700 / Available
“Disekeliling kita pasti ada bukit yang sering kita lihat, pasti ia menjadi kebiasaan atau luar biasa pada diri kita. Bukit semestinya ada flora, menjadikan kita tenang dengan keindahan atau sebaliknya. Ada bukit tapi tiada apa-apa pun, hanya kesan tompok ‘binasa’ daripada manusia. Ia menyebabkan bukit menjadi tanah yang telah digondol oleh manusia. Suasana yang dilihat pasti tidak indah yang memberikan kesan negatif pada diri kita.” - Amirul Roslan
74 B
Dua Bukit
Amirul Roslan
Acrylic on canvas
61 x 61 cm
2021
RM 800 / Available
“Di dalam karya ini memaparkan seekor ikan perhiasan di rumah. Pengkarya memilih ikan hiasan ini kerana ia digunakan sebagai mencantikkan suasana persekitaran rumah. Secara umumnya ikan hiasan menjadi hobi bagi sesetengah orang yang mampu nilai sifat keunikannya. Kepuasan dan ketenangan dapat dilihat pada pergerakkan ikan hiasan di dalam akuarium malah ia dapat membantu seseorang dari segi terapi dalam jiwa. Selain itu, pengkarya melihat dari sudut kelebihan memelihara ikan hiasan. Antara kelebihannya adalah dapat mengurankan tekanan dan juga terapi pada kanak-kanak Hyperactive. Di dalam kajian terapi Alzheimer telah menunjukkan bahawa ikan berwarna terang dapat membantu pesakit-pesakit yang aqresif fizikal. Visual ikan gapi yang digunakan untuk mewujudkan simbolik kepada ketenangan, kecantikan dan terapi dalam kehidupan. Bak kata pepatah ada air adalah ikan.”-Luqman Rosnan
75 A
Ikan ku Mencari Jalan Vol 1
Luqman Rosnan
Etching & Aquatint on paper
21 x 29 cm
2019
Edition of 10
RM 1,000 / Available
75 B
Ikan ku Mencari Jalan Vol 2
Luqman Rosnan
Monoprint on canvas
30 x 30 cm
2019
RM 1,500 / Available
“Pengalaman kehidupan ter-kadang ditusuk oleh kejadian “berduri” yang meninggalkan kesan dalam diri yang tak mampu di cabut-hapus-kan.” - Fauzan Fuad
76 A
Jalan Terus
Fauzan Fuad
Block print ink on Daler Rowney Heavyweight 270gsm paper
19 x 19 cm (complimentary frame)
2016
RM950 / Available
"Sesuatu kewujudan, memusnahkan kewujudan lain yang sama dengannya. Lalu terjadinya kesudahan yang sama (sia-sia) untuk kesemua kewujudan-kewujudan itu."- Fauzan Fuad
76 B
Orang Kayu
Fauzan Fuad
Block print ink on Daler Rowney Heavyweight 270gsm paper
17.5 x 12.5 cm (each artwork)
2014
RM800/ Available
“… I am intrigued on what will happen to a conservative state such as Kelantan if they try to adapt to the change of time and we will see the state go through some kind of modernization but somehow still preserve the traditional and Islamic values. From there, I am interested in the clash of civilization the state will go through as we will see Kelantan in a whole new perspective as a neo-modern state that happens to have a very strong push towards tradition…”- Fazreen Sukri
77 A
Jelirho Pagi
Fazreen Sukri
Acrylic on Canvas
61 x 61cm
2020
RM600 / Available
77 B
New Kelantan
Fazreen Sukri
Acrylic on Canvas
61 x 91.44cm
2020
RM800 / Available
“After graduation I was hit with the pressure of finding my path. It did not help that at this time, the Pandemic (convid 19) was just kicking off. The despair of not knowing my next steps became more evident. It was certainly a difficult time for me to make plans for my future and in the end I felt helpless. These two works illustrate the visual form of my mental and emotional state of that time. This series is still an ongoing series due to the unforeseen duration of the pandemic.” - Fiqri Adnan
78 A
Pressure Of Reality
Fiqri Adnan
Acrylic, Soft Pastel, Charcoal on Canvas
158 x 56 cm
2020
RM1,900 / Available
“This artwork is inspired by Dunhuang murals. The thick texture is a metaphor for the profound cultural heritage of Dunhuang. The Dunhuang-style Buddha statues painted with the Gongbi technique are used as the theme of the painting. At the same time, chemical fiber cloth is used to form a composition on the surface. These fabrics come from an old umbrella that a friend gave me. In China, people generally do not give umbrellas as gifts, because sending umbrellas means separation. I wanted to keep some memories, so I made the umbrella part of this painting. Finally, some plastic beads and golden glitter are mixed with epoxy resin and coated on the outer surface, forming more layers.” -Liu Runhong
79 A
Untitled-1
Liu Runhong
Mixed Media
30 x 30 cm
2021
RM1,200 / Available
78 B
Building It up Slowly
Fiqri Adnan
Acrylic, Soft Pastel, Charcoal on Canvas
158 x 56 cm
2020
RM1,900 / Available
“This artwork is inspired by Dunhuang murals. The thick texture is a metaphor for the profound cultural heritage of Dunhuang. The Dunhuang-style hands painted on the coarse paper in the form of Gongbi are used as the subject of the painting. At the same time, use fire to burn this coarse paper, forming a texture of change and leaving traces of fire. I also used some petals of ranunculus asiaticus to sprinkle on the painting. Because the yellow ranunculus asiaticus dries out and matches the color of this painting very well. So I mixed the petals with epoxy resin and painted them on the surface to create more layers.” - Liu Runhong
79 B
Untitled-2
Liu Runhong
Mixed Media
30 x 30 cm
2021
RM1200 / Available
“Refleksi ialah pantulan dan juga dianggap satu kemahiran untuk bertindak balas, berfikir dan belajar dari sesuatu perkara, samaada melalui pengalaman atau observasi deria. Karya ‘cerminan alam – tinggi’ menggambarkan kesamaran(ambiguity) antara manusia dan alam, dikomposisikan serpihan-serpihan imej yang berbeza menjadi satu karya yang memberi makna yang tersendiri. Karya ini adalah berdasarkan observasi dan hasil interaksi saya terhadap gunung-ganang. Bermain dengan komposisi dan graviti dalam permasalahan ruang tingkap pada karya, saya memberikan mesej visual tersirat(subliminal) seperti figura manusia yang menghadap ke bawah menunjukkan posisi ketika melakukan sujud dan memberi ucapan bermaksud “Maha Suci Tuhan Yang Maha Tinggi dan segala puji untuk-Nya” dan juga figura manusia yang mempunyai bahasa tubuh tangan pada dada menunjukkan keprihatinan pada hati.” - Dhia Afiq
80
Cerminan Alam – Tinggi
Dhia Afiq
Acrylic on Canvas
91cm x 91cm
2021
RM1,800 / Reserved